As cultural historian Michael Kammen noted in A Season of Youth, the most successful and lasting popular fiction about the American Revolution consists of coming-of-age novels: namely, Esther Forbes's Johnny Tremain and the Collier brothers' My Brother Sam Is Dead. That's not just because we study the Revolution in school, and students relate to novels about young people. It's also because our national understanding of the War for Independence is a coming-of-age story. Like the heroes in those books, the American nation supposedly woke up to its rights and responsibilities, threw off the illusions and strictures of childhood (under the "mother country"), and took its rightful place in the society of nations.
Octavian Nothing is also the story of a boy growing into a man, but Octavian's both more and less than a boy—he's precious property. At first he doesn't know that. But he comes to see that he's caught in an Enlightenment gone berserk, portrayed in full gothic style. And, as the "traitorous" subtitle hints, this is not a story of easy patriotism. Octavian feels caught between two nations, British and American, both claiming his loyalty without promising much in return.
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