Penelope Russell printed The Censor in Boston, Mass., in 1771. She set her own type, and was such a ready compositor as to set up her editorials without written copy, while working at her case. The most tragical and interesting events were thus recorded by her.Matilda Joslyn Gage (shown here, courtesy of the National Park Service) wrote that volume’s chapter on female printers, though she later complained that her coauthors, Elizabeth Cady Stanton and Susan B. Anthony, rewrote all her material and pushed her out of the creation of the following volumes.
Gage went on to publish her more radical feminist ideas in Woman, Church, and State (1893), but her biggest contribution to American letters was encouraging her son-in-law L. Frank Baum to write down those fairy stories he was telling the children.
Gage’s remark about Penelope Russell has no citation, but with Google’s help I traced it back through early feminist pamphlets and general-interest magazines to what may be the ur-source: an article by Josiah Snow of Rochester titled “Early Printers, Male and Female”, dated 11 Jan 1847 and published in a History of the Press of Western New-York:
Penelope Russell succeeded her husband in printing the “Censor,” at Boston, in 1771. She was a very industrious and active woman. She not only set type, but while at her case, invoked her muse and put up type on tragical events, in an interesting manner, without any written copy.Obviously Snow was passing on professional lore; he wouldn’t have seen Russell at work seventy-five years earlier. And some details got mangled along the way.
[ADDENDUM: Perhaps the most important detail is that the wife of Ezekiel Russell, who helped him in his print shop and kept it running after his death, was actually named Sarah Russell.]
The Censor was indeed printed in Boston from 23 Nov 1771 to 2 May 1772. However, at the time
TOMORROW: Isaiah Thomas on Ezekiel and Sarah Russell—and he actually knew them.
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