Friday, October 22, 2010

CHAViC Conference on Historical Prints, 12-13 Nov 2010

On 12-13 November, the Center for Historic American Visual Culture (CHAViC) at the American Antiquarian Society (AAS) in Worcester is hosting a conference on “Historical Prints—Fact and Fiction”.

Among the presentations with Revolutionary-era content are:
  • Nancy Siegel, Associate Professor of Art History, Towson University, “Savage Conflict: The ‘Indian Princess’ as Aggressor and Aggrieved in 18th-Century Prints”
  • Carl Robert Keyes, Assistant Professor of History, Assumption College, “Marketing the New Nation: Patriotic Imperatives in Advertisements for Early American Prints” [a.k.a., using the Revolution to sell stuff!]
  • Laura Wasowicz, Curator of Children’s Books, American Antiquarian Society, “Where Bravery, History, and Fantasy Meet: Heroic Prints in Nineteenth-Century American Children’s Books”
  • Allison Stagg, Ph.D. Candidate, History of Art, University of London, “‘The first will grumble and the last will laugh:’ An American Audience for British Visual Humor, 1790-1810”
  • Aimee E. Newell, Director of Collections, National Heritage Museum, “Educational Exercise, Decoration or Symbol of Brotherhood? The Use of Historical Prints in Early American Masonic Lodges”
  • Anne Roth-Reinhardt, Ph.D. Candidate, English, University of Minnesota, “Pirate of Patriot? Representations of John Paul Jones in Melville’s Israel Potter
  • Christopher N. Phillips, Assistant Professor, English, Lafayette College, “How Benjamin West’s Prints Made Art Epic”
  • Daniel C. Lewis, Dean of Communications and Humanities, Northern Virginia Community College, “Printmaker Goupil, Leutze’s Washington the Delaware [sic], and the Prints that Made it a National Icon in Nineteenth-Century America”
More details about each paper on the conference website. Registration costs $65, and folks registering after 29 October or walking in must pay $10 extra.

Who can identify the Revolutionary War event shown in the image above? Answer in the comments.

6 comments:

  1. That is the capture of John Andre.

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  2. My guess at the trivia: With the boot removed, I'd guess it's the capture of British agent John Andre.

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  3. I'm guessing it depicts the capture of Major John Andre (that then led to the downfall of Benedict Arnold).

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  4. Capture of Maj Andre?

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  5. Yes, I think all the identifications are correct. Handsome, elegant young man with one boot off, a paper peeking out of one boot, another man with a gun watching him—that must be AndrĂ©’s arrest for espionage. As to whether it’s an accurate depiction, I don’t know.

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  6. If that's an accurate depiction, he's looking rather pale! I suppose I might in that situation, too.

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