That display has now been turned into an online exhibit, available here.
The introductory page says:
The works on display focus in particular on images that ridicule the highly accomplished and creative women who dared to transgress or test the boundaries of propriety that circumscribed their gender.Among the examples is Thomas Rowlandson’s satire “Breaking up of the Blue Stocking Club,” shown above. Though that phrase initially meant all the people who came to Lady Elizabeth Montagu’s salons, male or female, by the late 1700s it was gendered and pejorative.
While late eighteenth-century commentators often celebrated the florescence of graphic caricature and satire that openly lampooned political figures—including the royal family—many of the satires exhibited here expressed trenchantly conservative views concerning social roles and manners. Loath to celebrate new-found intellectual, social, and political freedoms and empowerment for women, graphic satirists instead harshly ridiculed female liberties and accomplishments to the delight of largely male audiences.
I didn’t see material on Catharine Macaulay, but this exhibit provides context for the prints satirizing her intellectual output, personal life, and distinct appearance.
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