On 6 May 1751, the New York players announced their “last Time playing the Beggar’s Opera this season” on the upcoming Monday. In the same advertisement they asked if anyone had a copy of a comedy called The Intriguing Chambermaid which they could borrow.
New England, with its Puritan roots, was much more resistant to theater. Opera had to sneak in under the guise of uplifting musical concerts, not full-fledged productions. On 16 Sept 1769 the Providence Gazette announced a “reading” of The Beggar’s Opera in which “All the songs will be sung.”
In Boston, the Deblois family—Anglican and Loyalist—pushed the boundaries for musical entertainment, especially after the arrival of a large number of British army officers in 1768. On 23 Mar 1770 the merchant John Rowe wrote in his diary:
In the evening I went to the Concert Hall to hear Mr [James] Joan read the Beggars Opera & sing the Songs. He read but indifferently but Sung in Taste. there were upwards one hundred people there.That provides a precedent of sorts for an event at the Lexington Historical Society on Saturday, 11 August. The organization will host “a bawdy singalong and a presentation of The Beggar’s Opera,” as abridged by Diane Taraz, founder of the society’s Colonial Singers.
This concert will take place starting at 7:00 P.M. at the Depot in the center of town. Tickets cost $15-20. There will be snacks, non-alcoholic beverages, and an open bar, so attendees must be over age 21.
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