Even so, it appears that Gen. John Burgoyne’s description of his funeral, quoted back here, made Fraser into a British icon of sorts.
Burgoyne’s efforts were helped along by another narrative of that event in Lt. Thomas Anburey’s Travels Through the Interior Parts of America, published in 1789. Anburey wrote:
About sun-set, the corpse was carried up the hill; the procession was in view of both armies; as it passed by Generals Burgoyne, [William] Phillips and Riedesel, they were struck at the plain simplicity of the parade, being only attended by the officers of his suite…and urged by a natural wish to pay the last honors to him, in the eyes of the whole army, they joined the procession.Anburey spent years as a prisoner of war with the Convention Army—that was how he traveled through the interior parts of America. He didn’t come away with any fondness for the host nation.
The enemy, with an inhumanity peculiar to Americans, cannonaded the procession as it passed, and during the service over the grave. The account given me by your friend Lieut. [Quin John] Freeman was, that there appeared an expressive mixture of sensibility and indignation upon every countenance—the scene must have been affecting.
In the same year Anburey’s account was published, a print appeared on the London market titled “View of the West Bank of the Hudson’s River, 3 Miles above Still Water, Upon which is the Army under the Command of Lt. Gen. Burgoyne (Showing General Frazer’s Funeral).”
Follow this link to a digitized image of this print from the Yale University Art Gallery. On the rightmost of the three hills is a line of tiny figures following two coffins. Some experts interpret the second one as representing Burgoyne’s aide-de-camp Sir Francis Clarke, also killed in the battle though not in any account buried with Fraser.
Finally in 1791 the Scottish artist John Graham (1754–1817) exhibited a painting of Fraser’s funeral. Graham was influenced by Benjamin West’s picture of the death of Gen. James Wolfe in 1759. So much so, in fact, that one critic of the time reviewed The Funeral of General Fraser by saying: “We should have been more pleased with the picture if we had not seen The Death of General Wolfe by West.”
As West had done before him (and as other West acolytes like John Singleton Copley and John Trumbull did), Graham sought out the officers who had been at the event he was depicting. He made studies of those men and portrayed them as individuals in his scene. That painting was made into a print in 1794, and the print was issued with a key to the figures.
(I can’t find Graham’s original on the web; the image above shows a copy in the collection of the National Army Museum.)
Burgoyne, Anburey, and Graham thus crafted Fraser’s funeral into an emblem of British fortitude and propriety even in defeat. This stuff-upper-lip behavior could easily, as Don Carleton commented last week, tip into Monty Python–style satire. Still, it was effective.
American chroniclers of the Battle of Saratoga felt a need to quote Riedesel and Burgoyne on Fraser’s death and metal—those sources are just too full of drama to ignore. But the same historians often added a protest that if only the British commanders had told the Americans that the generals were gathering for a funeral there would have been no artillery fire. I’m not entirely convinced.
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