The mezzotint engravings are unsigned, but in 1908 R. T. H. Halsey identified the artist as Philip Dawe (1745?-1809?). He might have trained under William Hogarth, but by the 1770s Dawe was on his own, engraving prints based on several artists’ paintings.
The five cartoons are:
- “The Bostonians Paying the Excise-Man,” October 1774 (incidentally the first visual depiction of the Boston Tea Party).
- “The Bostonians in Distress,” November 1774 (also credited to John Marlin Will).
- “The Alternative Of Williams-Burg,” February 1775.
- “The Patriotick Barber of New York,” February 1775.
- “A Society of Patriotick Ladies, at Edenton in North Carolina,” March 1775.
The women’s statement didn’t actually mention tea, but the provincial congress did. Dawe therefore emphasized tea, with women dumping their tea in a bag for disposal, a baby playing with a tea set on the floor, and a dog urinating on a tea caddy. Dawe portrayed several of the female figures as laughably masculine, drinking from a punchbowl and wielding a gavel.
That print shows one woman signing a sheet that says:
We the Ladys of Edenton do hereby solemnly Engage not to Conform to that Pernicious Custom of Drinking Tea, or that we the aforesaid Ladys Promote the use of any Manufacture from England, until such time that all Acts which tend to Enslave this our Native Country shall be Repealed.That statement has since been ascribed to the women of Edenton themselves. But those words don’t appear in the statement printed by the Morning Chronicle. It therefore seems likely that Dawe created that sentence as part of his caricature of the Americans.
TOMORROW: An even more dubious quotation linked to the “Edenton Tea Party.”
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