“The only ‘emancipation’ relevant to this site was Ona Judge’s own”

On 21 April, the Philadelphia Inquirer shared an opinion piece about the President’s House exhibit by Sharon Ann Holt, a public historian recently retired from Penn State Abington.

Holt was previously director of education and interpretation at the Historical Society of Pennsylvania and director at the Sandy Spring Museum in Maryland. She’s the author of Freedom Pay: North Carolina Freedpeople Working for Themselves, 1865–1900.

The web headline for Holt’s essay is “We can’t give in to the Trump administration’s attempts to make the history of slavery invisible in Philadelphia.” I don’t know if it appeared in the newspaper’s print edition, and the webpage now behind a paywall unless one has a guest link. So here’s an extended extract:

The digital images posted on the Park Service’s website make it clear that, under Donald Trump, the first priority of the Park Service seems to be to make enslaved people and slavery itself as invisible as possible. Panels that discussed the lives of urban enslaved people, Philadelphia’s free Black community, the Washingtons’ enslaved “family,” fugitives from enslavement (and the laws Washington signed to reclaim them) have all disappeared. The rich biographies of Christopher Sheels, Hercules, Richmond, Austin, Giles, Ona Judge, Joe Richardson, Moll, and Paris have shrunk to single sentences. . . .

So what stories are they telling? George and Martha’s determination to flout Pennsylvania’s six-month limit on holding people in slavery is reframed as a lovely gift of theatre tickets rather than their cynical move to get enslaved people across the river to New Jersey, thus restarting the six-month residential countdown. I’m surprised the Park Service left out the Washingtons’ “kind” willingness to let enslaved workers visit their families left behind in Virginia, which worked the same trick.

If Park Service bureaucrats value relevance, I challenge them to explain the transformation of the story about 18th-century slavery at the President’s House into a puzzling evocation of the Emancipation Proclamation of the 19th century and the Civil Rights Movement of the 20th century. Is it that, to them, all stories having to do with African Americans belong in the same place? They must think so, because they have randomly added completely irrelevant references to Frederick Douglass, the Civil War, the Rev. Dr. Martin Luther King Jr., the Underground Railroad, and Abraham Lincoln to the history of the President’s House.

Worse, the Park Service has embraced sentimental claims that Washington, Thomas Jefferson, and James Madison all “had their doubts” about slavery from the beginning.

None of those “doubts” persuaded the Founders to end slavery when they could have, either in our founding documents or in their own personal lives. None of the 19th- and 20th-century stories that the Park Service has shoehorned into their new panels ever involved the President’s House at all. The only “emancipation” relevant to this site was Ona Judge’s own self-liberation — the very story the Park Service has all but erased.

Speaking of irrelevance, the opening panels are even more laughable. Park Service interpreters have decided to feature discussions of the 1876 Centennial, the 1926 Sesquicentennial, and the 1976 Bicentennial, all of which happened long after the President’s House had been remodeled into oblivion or entirely demolished. . . .

If the judges choose these new panels to replace the ones taken down earlier this year, they will disparage millions of Americans who have struggled since 1776 to improve on the shaky foundations the founders laid. The President’s House should honor those struggles, alongside the nine people enslaved there by George and Martha Washington.

While Holt directs her critique at the National Park Service, which produced this revised signage, it’s clear that agency was working under directives from the White House. Based on what sort of historical presentations the White House has produced on its own, N.P.S. historians undoubtedly worked hard to drag this material into the realm of historical fact, even if it’s far from complete and relevant.