“A fine set of 8 Bells were brought hither”

On 25 July 1745 the Boston News-Letter reported the arrival of a new type of sound in Boston—or at least the potential for one.

The newspaper said:

Last Week a fine set of 8 Bells were brought hither in a Vessel from Bristol, designed for Dr. [Timothy] CUTLER’s Church at the North Part of this Town: We hear the largest of them is near 1500 Weight, and the whole Set about 7000.

That was Christ Church, now also known as the Old North Church. Its steeple was also the tallest in town. As an Anglican place of worship, it could be fancier than the several Congregationalist meetinghouses with their single bells.

The church’s website states:

Old North has a total of 8 bells, each cast to ring at a different pitch. The treble bell, or #1, is the smallest bell and weighs in at about 620 lbs. The largest is the tenor, or #8, which weighs about 1,500 lbs. Each bell is hung inside a wooden wheel and frame, with ropes attached that extends to the bell-ringing chamber two floors down.

Each bell has a unique message cast in its metal:

• 1: “Abel Rudhall of Gloucester, cast us all, Anno 1744.”
• 2: “Since generosity has opened our mouths, our tongues shall ring aloud its praise. 1744.”
• 3: “The subscription for these bells was begun by Iohn Hammock and Robert Temple, Church Wardens, Anno 1743; completed by Robert Ienkins and Iohn Gould, church Wardens, Anno 1744.”
• 4: “William Shirley, Esq., Governor of the Massachusetts Bay, in New England. Anno 1744.”
• 5: “God preserve the Church of England. 1744.”
• 6: “We are the first ring of bells cast for the British Empire in North America. A.R. 1744.”
• 7: “This Church was founded in the year 1723. Timothy Cutler, DD, the first Rector, A.R. 1744”
• 8: “This peal of eight bells is the gift of a number of generous persons to Christ Church, in Boston, N.E. Anno 1744.”

“A.R.” usually meant “in the year of his reign,” referring to the current king, but here it appears to be used as a synonym for “A.D.”

Abel Rudhall (1714–1760) was the head of a family firm that cast bells in Gloucester from 1684 to 1835. According to Wikipedia, his grandfather had invented a way of “tuning bells by turning on a lathe rather than the traditional chipping method with a chisel.”

Those bells were designed to be rung together, but that required a group of bell-ringers.

TOMORROW: You rang?

Joseph Green, John Hamock, and the Freemasons

Yesterday I shared a bit of a scatological attack on Freemasonry published on the front page of the Boston Evening-Post on 7 Jan 1751. That attack included not only a poem but a woodcut illustration obviously commissioned for that poem. Who went to all that trouble?

By that time, Boston’s first Freemasons lodge had been established for nearly two decades. I’ve read conflicting reports of whether they had had public marches, but clearly they had one on St. John’s Day near the end of 1749.

The next year, a local wit named Joseph Green (1706-1780, shown here in a 1767 Copley portrait) published two editions of a pseudonymous pamphlet titled Entertainment for a Winter’s Evening…, satirizing the very notion of Freemasons going to church and poking fun at individual members. Those lines closed with a scene of the Freemasons entering their temple, out of public view. The author, invoking the muse Clio, promised to “tell the rest another time.”

Therefore, it was logical for people to read the Boston Evening-Post poem as the next installment of that series, describing the Freemasons’ secret rituals in scatological terms while professing to be a “Defence of MASONRY.” A merchant named Benjamin Hallowell (father of the highly unpopular Customs official with the same name) said the new poem definitely came from Green. According to Steven Bullock’s Revolutionary Brotherhood, the Freemasons met, threatened a boycott of the Evening-Post, and asked Lt. Gov. Spencer Phips, the province’s highest royal official, for permission to sue.

Then on 21 January the Evening-Post published Green’s denial that he’d written the “Defence of MASONRY” poem, criticizing Hallowell for spreading a “scandalous and malicious lie.” To be fair, the “Defence” wasn’t up to Green’s standard. He really was a good poet, and his allusions far more subtle—his pamphlets included helpful footnotes so readers could see how clever he was. Furthermore, the “Defence” was addressed “To Mr. CLIO,” or Green, rather than by him.

So who did write the “Defence”? David S. Shields’s Civil Tongues and Polite Letters in British America points to a wine merchant named John Hamock (or Hammock). He was in business from 1735 to his death in 1769. He was a warden of Christ Church, raising money for its bells in 1744, and in 1758 he rented the space under the Town House as his wine cellar.

In the 15 Jan 1750 Boston Post-Boy Hamock had advertised his wines by implying that other merchants’ wares were unhealthy and signing himself “John Hamock, V.D.” Other ads showed that meant “Vini Doctor,” a claim for special authority, though more often a joke appellation college students bestowed on each other. Hamock didn’t have a college education, but he seemed to have pretensions—and for the snobbish Green that was a provocation.

A poetic critique titled “To V.D.” appeared in the 30 July Post-Boy. The author took the opportunity to swipe at another of Green’s frequent targets, the Rev. Dr. Mather Byles, Sr.:

Whist---softly---for fear
Doughty B**** should hear;
If he does, with his pen he’ll chastise you.
I know you will cry,
Scar’d by B****! Not I,
Do your worst, Sir, for H****k defies you.

Thus, “To V.D.” was both addressed to Hamock and put words in his mouth.

Hamock might then have published the “Defence of MASONRY” poem in early 1751 to get Green in trouble. And it did: for the only time in his career Green had to publicly discuss his writing, if only to deny he’d written this item. Hamock might also have been trying to show “Mr. CLIO” that he could satirize the Freemasons in verse, too.

It looks like Boston’s Freemasons just happened to be caught in the crossfire between two men feuding for their own reasons. The movement and many local members had ties to Europe instead of old Puritan families, so they made an easy target in Boston. In fact, Green went back to satirizing the Freemasons four years later with a pamphlet titled The Grand Arcanum, Detected.