J. L. BELL is a Massachusetts writer who specializes in (among other things) the start of the American Revolution in and around Boston. He is particularly interested in the experiences of children in 1765-75. He has published scholarly papers and popular articles for both children and adults. He was consultant for an episode of History Detectives, and contributed to a display at Minute Man National Historic Park.

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Showing posts with label Mather Brown. Show all posts
Showing posts with label Mather Brown. Show all posts

Wednesday, July 14, 2021

Samuel Adams’s Surviving Sister and Brother

Samuel Adams’s one surviving older sibling was his sister Mary, born in 1717, five years before him. According to descendants, he called her Polly.

In 1742, when Mary Adams was in her mid-twenties, she married a tailor named James Allen. She was his second wife. In 1751 Robert Treat Paine addressed Allen as “Merchant. Taylor living on the Draw Bridge, Boston.”

The Allens’ children included:
  • Samuel (1743-1830), treasurer of Worcester County for about forty years.
  • Joseph (1749-1827), reportedly his uncle Samuel’s favorite, clerk of the courts in Worcester County for more than thirty years and a member of the U.S. Congress for five months.
  • Mary (1754-1842), who married the Rev. Joseph Avery of Holden.
James Allen died in 1755, Mary in 1767.

Samuel’s one surviving younger sibling was his brother Joseph, born at the end of 1728 and thus six years younger. I started looking into the Adams genealogy after a question about this man from an unnamed commenter a few months back.

Joseph Adams followed Samuel to Harvard College, joining the class of 1748. That means there’s a brief profile of him in Sibley’s Harvard Graduates. At college Joseph was a bit of a party boy, once pounding down a door “in a riotous Manner, at Night,” and another time engaging in “contemptuous hollowing” at midnight after a sleigh ride and tavern supper.

After graduating, Joseph Adams trained in medicine. The first documentation of his profession might be that 1751 letter from Robert Treat Paine to James Allen, which offered “My Service to your Spouse and to Dr. Adams.” Paine was a year behind Adams at Harvard.

In 1753 the Boston Overseers of the Poor voted to make Joseph Adams the first “Doctr. for the Alms House,” both “Physition & Chirurgeon.” He was chosen again in 1754 and 1755. In all the Overseers recorded paying Adams about £260 in the currency of the time.

In 1754 Joseph Adams married a woman named Elizabeth Hill. In April 1759, when he was thirty, the doctor was sick enough to make out his will. He died sometime in the next few weeks or months because his estate was probated in September. I found no mention of his death in the newspapers, and no indication he left children.

In October 1764, the widow Elizabeth Adams married Gawen Brown (1719-1801), a “Clock and Watchmaker lately from London” in 1749. She was his third wife. He had six children from his first marriage; one, the future artist Mather Brown, from his second; and six more with Elizabeth. The best known of the last batch was William Hill Brown (1765-1793), author of the scandalous roman à clef The Power of Sympathy.

Since 1763 Brown had been established on King Street. Late in that decade he built and installed the clock that still keeps time in the tower of the Old South Meeting-House (works shown above). Timepieces bearing Brown’s signature are in the collections of the Massachusetts Historical Society and Revolutionary Spaces.

As a native of Britain with continuing business ties there, Gawen Brown appears to have been wary of independence, so much so he’s been labeled the “Tory Clockmaker.” There’s even a latter-day report he returned to Britain during the war, but I can’t pin that down.

Despite that loyalty, Samuel Adams entrusted correspondence to the clockmaker’s namesake son, “young Mr Gawen Brown,” in October 1775. (So did John Adams, though we know his judgment about couriers wasn’t perfect.) I think Samuel Adams was willing to do that because he was a sort of uncle to the young men: Gawen Brown, Jr., was Adams’s late brother’s widow’s stepson.

The younger Gawen Brown followed his father into the trade of importing watches. During the war he seems to have bounced around: a captain of marines in 1776, an officer in Col. Henry Jackson’s Continental regiment in 1778, on state expeditions against Crown strongholds at Newport and Penobscot. Later he commanded the Independent Company of Cadets. This Brown died in Petersburg, Virginia, around the start of 1789.

Later that year, the 11 June Independent Chronicle carried a legal notice about the division of some property in Maine. It was signed by Samuel Adams, Gawen and Elizabeth Brown in her right, Joseph Allen, Samuel Allen, and Joseph and Mary Avery in her right—all the remaining heirs of Samuel Adams’s father.

Saturday, July 03, 2021

“The Marriage was a nullity”

Yesterday I followed Sarah Gore and the uncle who raised her, the Rev. Henry Caner, from Boston to London after the end of the siege of Boston.

In April 1777 Caner gladly married the young woman to a Englishman named Richard Manser. The minister anticipating leaving her in Britain with her husband while he returned to America as soon as all the troubles were over.

However, by the summer Caner was referring to his niece once again by her first married name, as in his 5 August leter to Dr. John Jeffries: “Mrs. Gore & Nurse desire to be remembered in this.”

Finally on 10 Jan 1778 Caner broke the news to Sarah Gore’s father, deacon Thomas Foster of Boston:
By a Line from your Son Wm inclosing a Letter to our Dear Sally, I am inform’d of the Death of your Son John. I sincerely condole with you & Mrs. Foster on so melancholy an event. And am sorry that I must add to your affliction by acquainting you with an expected misfortune that had befallen your & our dear Child.

In a former Letter I acquainted you that Sally was married, & we thought happily to a Gentleman of very promising appearance, but to my grief has turn’d out a villain.

They had been married but 5 Weeks, when Lord Dartrey [an Irish baron, shown above as painted by Mather Brown] called upon me & acquainted me that Mr. Mansor had a Wife living in a remote part of London at the time when he was married to Sally. This you may believe was like a Thunder Clap to me.

However as soon as Mansor came home I acquainted him with it, & turnd him immediately out of Doors.

The same Evening I made the matter known to Sally in the tenderest manner I was able. She fainted & with much difficulty could we recover her. To be short it went very near to cost her her life. With great Care & Attention, & the Assistance of several kind Ladies of rank & quality, she has in some measure got the better of it. Her health & flesh & strength & spirits are return’d & she is now Sally Gore again.

The Marriage was a nullity, as he had a wife at the time of his marrying Sally, so she has reassumd the Name of Gore, by which she is now known to all her friends & Acquaintance.

The former Wife is since dead & the Villain has had the Assurance to write me several insolent Letters…demanding my Sally as his lawful Wife. A Number of worthy friends have offer’d their service to vindicate her against his impudent Claim. Among others Lord Percy, & particularly the Noble Lord & Lady Dartrey, are so exceedingly obliging that they have offer’d to foot [?] the whole Expence if Mrs. Gore finds it necessary to prosecute the vilain.

In short, I am greatly comforted under this misfortune to find that the dear Child is restor’d to her health & spirits again.
In the end, the Rev. Mr. Caner never returned to America. Though strapped for funds without a pulpit, he took a second wife and settled in Cardiff in 1778; she was notably younger, but then he was in his late seventies, so she almost had to be. Later he moved to a town near Bristol and died in 1792.

Sarah Gore and her young son John did return to Boston, as did her father-in-law, John Gore. The younger John grew up to be a merchant, factory investor, and Federalist. In 1805 he managed to get three volumes of King’s Chapel records back from Caner’s heirs. He died in 1817.

(Incidentally, the “Lady Dartrey” who offered help to Sarah Gore in her time of trouble was a granddaughter of William Penn with the given name of Philadelphia Hannah Freame.)

Tuesday, February 21, 2017

The Celebrated Saint-Georges

A concert in Seattle got me intrigued about the life of Joseph Bologne, the Chevalier de Saint-Georges.

He was born on Guadeloupe in 1745, son of a wealthy planter and his black slave. At around age seven, he traveled to France to go to school. His parents joined him in Paris a couple of years later, his father receiving a noble title.

At age thirteen, Joseph went to a school of military arts. By his late teens, he was known as one of the finest swordsmen in France. The king granted him the title of chevalier.

That would be impressive enough, but in his twenties Joseph Bologne de Saint-Georges became one of Paris’s most celebrated musicians, concertmaster of the Concert des Amateurs. He wrote an opera with Pierre Choderlos de Laclos, later author of Les Liaisons Dangereuses. He also crossed paths with Wolfgang Amadeus Mozart, though no music seems to have come of that.

Then the American War started to affect Saint-Georges’s life. Because his orchestra’s patrons had put all their money into supplying the French army in America, the Concert des Amateurs had to shut down in 1781. He bounced back with a new patron in Philippe D’Orléans, duc de Chartres, and his lodge of Freemasons. With their support, Saint-Georges commissioned the Paris symphonies from Joseph Haydn.

In 1785, Philippe succeeded to his father’s title as duc d’Orléans. A cousin of King Louis XVI, the duke favored a constitutional monarchy along British lines, particularly if he could be in charge as regent. He sent Saint-Georges to London to strengthen contacts with the Prince of Wales, early anti-slavery activists, and other potential allies.

The portrait above comes from Saint-Georges’s time in London. It was painted by Boston-born Loyalist Mather Brown at the request of the Prince of Wales.

Saint-Georges was in the audience at the opening of the Estates General of France in 1789. That limited attempt at political change soon brought on the larger French Revolution. At first Saint-Georges continued work as a musician and courtier, but in 1792 he accepted a commission as colonel of a cavalry legion of free men of color from Haiti.

For the next several years, Saint-Georges was part of the army of Revolutionary France, caught up in its politics. That meant he spent some of his time at the front, some in Paris, some in jail. There’s evidence he went to Haiti in 1796 as part of the central government’s unsuccessful campaign to suppress Toussaint Louverture. Finally he returned to music, frustrated by government service and suffering from illness. Saint-Georges died in Paris in 1799.

TOMORROW: Another picture of Saint-Georges.

Thursday, March 28, 2013

Jefferson or Not?

I recently came across the Is This Jefferson? website, devoted to making the case that a portrait apparently painted by Nicholas Benjamin Delapierre in 1785 shows Thomas Jefferson, then ambassador to France.

As this press release acknowledges, no one is on record as thinking this is a painting of Jefferson until its current owner.

Delapierre painted an early printing of De la Caisse d’Escompte on the desk of the man in the portrait. That book was authored principally by Mirabeau, but the man obviously isn’t that jowly count. The book’s other authors included Jacques-Pierre Brissot de Warville, Pierre Samuel du Pont de Nemours (who later settled in Delaware), and Étienne Clavière.

Jefferson knew all four men and admired their book. However, his own book, Notes on the State of Virginia, was published in Paris at the same time, and normally a painter would portray an author with his own work.

The website argues that letters from John Adams’s family hint at an early, previously unidentified Jefferson portrait. I think we can read those letters to indicate that the Adams family picked up Jefferson’s portrait from Boston native Mather Brown in 1786, liked it so much they wanted a copy, and therefore returned it to Brown’s studio for duplication before the end of the year.

Furthermore, I think the portrait looks a lot like Brissot, one of the authors of that book on the desk. The website compares this painting to later portraits of Jefferson, but doesn’t line both up against later portraits of Brissot. What do you think?