J. L. BELL is a Massachusetts writer who specializes in (among other things) the start of the American Revolution in and around Boston. He is particularly interested in the experiences of children in 1765-75. He has published scholarly papers and popular articles for both children and adults. He was consultant for an episode of History Detectives, and contributed to a display at Minute Man National Historic Park.

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Showing posts with label Timothy Paine. Show all posts
Showing posts with label Timothy Paine. Show all posts

Thursday, May 03, 2018

More Glimpses of Sylvia and Worcester

Yesterday I left Sylvia and Worcester, a mother and grown son enslaved to John Chandler when he died in 1762, in the household of Sarah and Timothy Paine, Chandler’s daughter and son-in-law/stepson.

The town chroniclers of Worcester left a couple of glimpses of Sylvia and Worcester—not enough to see them in full, but enough to remind us of their individuality.

A Harvard graduate with powerful connections, Paine held many offices, appointed and elected, in Worcester. In 1774, for example, he was in is twenty-third year as clerk of the county court and his thirteenth year as register of deeds.

In the pre-Revolutionary turmoil, Paine favored the Crown. The government in London rewarded his support by appointing him to the new governor’s Council in the summer of 1774. He took the oath as a “mandamus councilor” in late August.

And then all hell broke loose. Crowds in the western part of the province started closing the county courts. The “Powder Alarm” mobilized thousands of militiamen and showed that the royal government had no power outside Boston. And on 6 Sept 1774, more than 5,000 men flooded into Worcester to make sure its courts wouldn’t open, either.

As a court official and a councilor, Paine was the main target of the crowd. He wrote out a resignation for the five-man committee representing those thousands. The committee deemed that sufficient, and one read the document aloud, but the crowd insisted that Paine read his resignation himself—and with his hat off, as a sign of respect.

According to Caleb A. Wall’s Reminiscences of Worcester from the Earliest Period (1877):
Mr. Paine hesitated, and demanded the protection of the Committee; finally he complied, and was allowed to go to his dwelling. Tradition declares, that in the excitement attendant on the scene, Mr. Paine’s wig was either knocked or fell off.

Be this as it may, from that day he abjured wigs, as much as he had done whigs, and never wore one again. The now dishonored wig in question, he gave to one of his negro slaves, named ‘Worcester.’
Worcester thus benefited from the Revolution to the extent of a used wig. I haven’t found any more references to him, but the fact that he was named after the town he lived in makes that search a lot harder.

As for Worcester’s mother Sylvia, she was remembered in the town for two things. Based on the memories of Eliza Bancroft Davis, a great-granddaughter of John Chandler, George Chandler’s The Chandler Family (1883) described how Sylvia welcomed the “young children of widows” who came to her master’s house on legal matters:
She would sit swaying to and fro with them in her arms, and sing, “Pretty baby, pretty baby! Looks jist like its farder, dear! Who is his farder, dear?”
Through the dialect we can see a woman with a maternal instinct. Perhaps that feeling helped inspire John Chandler’s bequest that Worcester be kept “at as little distance from his Mother as may well be.” It also makes me wonder who Worcester’s father was, and what happened to him.

The Chandler Family twice describes Sylvia rocking those babies. One version says she did it when enslaved to Chandler, who was a probate judge before he died in 1762; the other said it was a habit of “her last days,” decades later. One version also spells her name “Silvia.” The details might be foggy, but there’s a sight of a real woman there.

As for Sylvia’s “last days,” they came in 1805, over forty years after John Chandler died, almost thirty years after his widow did, and more than twenty years after Massachusetts’s highest court ruled slavery unenforceable. The 25 May issue of Boston’s leading newspaper, the Columbian Centinel, reported that “In Worcester, Sylvia, a female African, [died aged] Æt. 105.” Worcester’s National Aegis reported the same four days later.

Sylvia may have still been living with Sarah Paine, who survived to 1811. Eliza Bancroft Davis recalled that at age fourteen she had made a shroud for the old family retainer, marveling at how Sylvia had lived about a century longer than she had.

TOMORROW: Another family connection to slavery.

(The building shown above is Worcester’s 1803 courthouse, designed by Charles Bulfinch.)

Wednesday, May 02, 2018

John Chandler’s Human Property

The Worcester Art Museum recently added a label to its John Singleton Copley portrait of Lucretia Murray noting that her father had two slaves named Sylvia and Worcester when he died.

According to the museum’s old webpage for this picture (which doesn’t mention slavery at all), Copley painted Lucretia Murray in 1763. Her father, John Chandler of Worcester, had died the previous year. His will had granted Murray £340 in two installments.

That same will assigned Sylvia and Worcester to other relatives. That means Lucretia Murray had almost certainly grown up with them as part of the family’s domestic staff but was no longer benefiting from their labor when her portrait was made. And to learn more about those two people as individuals, we have to follow another path.

John Chandler’s will was the topic of a 1905 study by Charles A. Chase. Chandler had married twice. By his first wife, born Hannah Gardiner, he had nine children who grew to adulthood. His second wife was Sarah (Clark) Paine, a widow with children of her own. In writing his will Chandler wanted to provide for his widow Sarah, but only as long as she didn’t become a third husband’s responsibility, while preserving as much property as possible for his own children.

Therefore, Chandler set up a bequest in which his wife could live in his house and receive $40 of silver every six months from his estate as long as she didn’t remarry. And part of living in his house was being served by the enslaved woman Sylvia:
I give to my said Wife in Lieu of her Right of Dower or Power of thirds in my Real Estate as follows namely that she be decently and honorably Supported by my Executors for one Year from my decease, and live in my present dwelling house and that my Negro Woman Sylvia serve my said Wife said Year, and be Also supported by my Executors. . . .

And in case my said Dear Wife shall dwell in Worcester my Will and pleasure is that my Negro Sylvia aforesaid serve her mistress during her continuing my Widow. . . .

And Whereas I have given to my Dear Wife the Service of my Negro Woman during her continuing my Widow and dwelling in Worcester, I also order my said Negro woman to have a proper bed and beding to ly on said time.
Thus, Sylvia remained property of Chandler’s estate but was assigned to work for his widow.

To add to the family complexity, John Chandler’s daughter Sarah had married Sarah (Clark Paine) Chandler’s son Timothy Paine. Chandler left a legacy to her, adding a special proviso about his other slave:
…if my son in Law Timothy Paine Esqr. and my Daughter Sarah Paine his Wife incline to have my Negro boy (Worcester) they may for fifty three pounds Lawfull money in part of her Legacy and towards the first third part thereof desiring whoever has him he may be Treated with humanity & Tenderness and at as little distance from his Mother as may well be, and I desire their Spiritual good may be promoted.
The clear implication is that Sylvia was the mother of the enslaved “Negro boy” Worcester. He was probably a grown man at the time, based on later reports of her age. The phrase about “their Spiritual good” strikes me as an afterthought, like the proviso for Sylvia’s “proper bed and beding” above—Chandler thinking first of how he wanted to bequeath his human property and then remembering he had some responsibility to those people as well.

When the widow Sarah Chandler died in 1778, Sylvia became part of Timothy and Sarah Paine’s household, possibly reuniting with her son Worcester at the house shown above.

TOMORROW: Further glimpses of Worcester and Sylvia.

Sunday, September 07, 2014

At the Salisbury Mansion

This is the Salisbury Mansion in Worcester, where I’ll be speaking today at noon about “The Breakdown of Royal Rule in Massachusetts, September 1774.” This is one of many events in the city commemorating the local events of that month.

Back in 1919 a book called Some Historic Houses of Worcester said:
Of all the notable dwellings in this vicinity of a century past the old Salisbury Mansion alone remains,—a watchful sentinel since the year 1772, when Stephen Salisbury [1746-1829] erected it for his home. Mr. Salisbury, of the commercial house of Samuel and Stephen Salisbury, was a merchant and one of the leading importers of Boston. In order to expand their business, the brothers opened a store in Worcester, Stephen Salisbury coming here for that purpose in 1767 and beginning business in a small building that then stood north of Lincoln Square. For three years Mr. Salisbury boarded at Timothy Paine’s first home on Lincoln Street. Not long after this the young merchant built the mansion in Lincoln Square, where he lived for many years with his mother, to whom he was most devoted.
The store was closed in the 1810s and that part of the building heavily remodeled, so the original Georgian mansion became more Federal.
To-day the mansion of the first Salisbury fronts the steady traffic in Lincoln Square and the streets that branch from it. It is in full view of the site of the school-house where taught John Adams, second President of the United States; of the site of the Timothy Bigelow House, from which Colonel Bigelow departed to join the minutemen at Lexington; of the site of the old Hancock Arms, where occurred Revolutionary events; of Lincoln Street and the old Boston Road, over which have passed so many noted men; and of the equally famous Main Street, down which the old mansion witnessed the march of Washington when he passed through Worcester to take command of the troops at Cambridge in 1775.
Note that all those “sites” no longer have the buildings on them. And that in 1929 the Salisbury Mansion was moved away from Lincoln Square to its present location, 40 Highland Street. It has sequentially been the property of the American Antiquarian Society, the Worcester Art Museum, the Worcester Employment Society, the Salisbury Mansion Associates, and now the Worcester Historical Museum.

Monday, June 09, 2014

Touring Revolutionary Worcester, 21 June

Preservation Worcester is offering a ninety-minute bus tour of the city’s Revolutionary sites on the afternoon of Saturday, 21 June. This is part of Worcester’s commemoration of the role it played in breaking down royal rule in Massachusetts in 1774, months before the Revolutionary War began (though after the similar closing of courts in western counties and shortly after the Powder Alarm).

The event’s description says:
In September of 1774, when the closing of the Worcester County Court House ousted British rule forever, Worcester looked nothing like it does today. Let this tour introduce you to historical sites and figures of the period (both famous and little known) and recreate in your mind’s eye the spirit of that long-ago era.

Visit the monument to Revolutionary Patriot Timothy Bigelow on Worcester Common [shown here]. See the site of the 1774 ousting of Crown-appointed officials from the Worcester County Court House. View the reconstructed building where those historic events took place. Visit the Georgian style home of Patriot Stephen Salisbury. View the ample Paine farmhouse, “The Oaks,” which Loyalist Judge Timothy Paine was building at the time of the 1774 closing of the courts. Enjoy lemonade and cookies served by the Daughters of the American Revolution while visiting its gardens and grounds. Finally, at Rural Cemetery, view the Paine and Salisbury family plots and the tomb of Patriot printer Isaiah Thomas.
This tour is recommended for adults only. Tickets are $10 apiece, and reservations are required. The bus will begin at 2:30 P.M. at Preservation Worcester at 10 Cedar Street; there is parking available nearby. Contact the organization for more information.

Wednesday, May 30, 2012

Alex Cain on Burgoyne’s Loyal Volunteers, 2 June

On Saturday, 2 June, the group that reenacts McAlpin’s Corps of Loyal Volunteers, a Loyalist military unit formed in 1777, will drill at the Oaks Mansion in Worcester, starting at 11:00 A.M. As part of that event, Alex Cain, also author of We Stood Our Ground: Lexington in the First Years of the American Revolution, will speak about the Loyalist units in Gen. John Burgoyne’s army.

Daniel McAlpin was a retired British army captain just settled in Stillwater, New York, when the war began. In September 1776 he received a secret commission from Gen. William Howe and began recruiting a regiment to support the Crown. Patriot neighbors caught on, and he had to escape and go into hiding.

McAlpin joined Burgoyne at Fort Edward in 1777 as the British thrust downward from Canada. His corps, numbering fewer than 200 men, formed that August. The Online Institute for Advanced Loyalist Studies shares several documents related to McAlpin’s command.

Most of Burgoyne’s army consisted of British regulars and troops sent from Germany. The relatively few Loyalists were at extra risk if captured, in danger of being treated as traitors to the new U.S. of A. rather than ordinary prisoners of war. So how did the general look out for those men when he surrendered after the Battles of Saratoga? That will no doubt be part of Cain’s talk.

The Oaks is located at 140 Lincoln Street in Worcester. Judge Timothy Paine (1730-1793) began its construction in 1774, then ran into trouble as his Loyalist leanings made him unpopular. It took about twenty years before the mansion was completed in its first state.