J. L. BELL is a Massachusetts writer who specializes in (among other things) the start of the American Revolution in and around Boston. He is particularly interested in the experiences of children in 1765-75. He has published scholarly papers and popular articles for both children and adults. He was consultant for an episode of History Detectives, and contributed to a display at Minute Man National Historic Park.

Subscribe thru Follow.it





•••••••••••••••••



Showing posts with label Michael Angelo Warwell. Show all posts
Showing posts with label Michael Angelo Warwell. Show all posts

Monday, March 16, 2020

“Not to trust the said boy out of his sight”

After young Charles Bourgate accused both his master, Edward Manwaring, and his master’s alibi witness, John Munro, of participating in the Boston Massacre, as I related here, Manwaring summoned “a third person who happened to be that Evening in company with them.”

That person was the traveling actor and singer Michael Angelo Warwell.

On 15 Mar 1770, Warwell gave a long and detailed recollection of the night of the Massacre to Justices Richard Dana and Edmund Quincy, the magistrates who had quizzed Charles. It stated:
On Monday the 5th of this present March, 1770, about three o’Clock, afternoon, I called upon Mr. Edward Manwaring, at his lodgings in back-street Boston, and immediately proceeded with him and mr. John Monroe, to the house of mr. Brown in Charlestown, to settle an affair between the said Brown and one doctor Brown in Boston, relative to a horse, which the last mentioned Brown had hired of the aforementioned Brown in Charlestown, where we staid ’till something after six in the evening, and returned to Mr. Manwaring’s lodgings about seven, and sat ourselves down to spend the evening with him, which we accordingly did.
(You just know I tried to find out more about that horse. I regret to say I’ve learned no additional information.)
About an hour and half after our arrival at the said Manwaring’s lodgings, we heard the cry of fire in the street, and thereupon ran to the windows to be informed where it was, when some person under made answer at the south-end; others in the street were also enquiring where it was, and they were answered that they would soon see, and other expressions to the same purpose, which made us conclude, that something more was than in the case than fire alone; on which we came to a resolution not to [go] from the said Manwaring’s apartment, soon after this determination we were confirmed more in our former opinion by a noise in the street, and some people saying four out of five were killed, which words tho’ we did not know the meaning of, fully satisfied us there was something more than fire.

On this occasion Mr. Manwaring’s boy, several times attempted to go into the street to join the multitude, and once had got as far as the gate next the street, when Mr. Monroe fetched him back, and shut the gate after him. After this Mr. Manwarring kept the said boy, in his the said Manwaring’s own room, being determined not to trust the said boy out of his sight.

Then we the said Edward Manwaring, John Monroe, myself and Mrs. [Elizabeth] Hudson the Landlady of the House, who was afraid to stay in her own apartment alone; I say we the aforesaid persons sat over a bottle or two of mull’d wine ’till half an hour after Ten, when the tumult seemed to be subsided, and Mr. Monroe proposed to go to his own lodgings, which Mr. Manwaring would have persuaded him from, apprehending there might be danger in so doing; but he persevered in the resolution of going, and went accordingly, but told us at parting, that if any tumult still remained he would immediately return, but if he did not return we might depend upon it all was quiet, and he did not return that night.
Elizabeth Hudson’s wife John was “a custom-house clerk,” according to a Whig writing in the 8 Apr 1771 Boston Evening-Post. He was “out of town that evening,” she testified. She might have been nervous about an angry crowd mobbing her house because of its ties to the Customs service.
After this, myself, Mr. Manwaring and Mrs. Hudson (and the boy still in company) remained together ’till about twelve the same night, when she left us to go to her own bed. After this, myself, Mr. Manwaring and his boy sat up together about three hours longer; it being then too late for my returning to my own lodgings, Mr. Manwaring proposed my sleeping with him, which I accordingly did in the same bed, and, the boy was ordered to go to his bed, which he accordingly did, it being in the same room. These particulars I could not suppress, in justice to Mr. Manwaring and Mr. Monroe.
Warwell’s testimony prompted Justice Dana to dismiss the accusation against Manwaring and Munro, and to order Bourgate to be taken back to the Boston jail. Despite supporting the Whigs politically, Dana refused to have anything more to do with that charge.

On 16 March, 250 years ago today, Manwaring wrote a triumphant letter to the printers of the Boston Gazette, which had first reported the accusation against him:
Messieurs EDES & GILL,

Gentlemen,

As the villainy of my servant (who is a Boy under age without principle, sense or education, and indeed unacquainted with our language) has subjected myself and one of my friends to a suspicion that we were concerned in the unhappy transaction of Monday the fifth instant. I thought it necessary to publish the following affidavit as an additional (till further) proof of my innocence, and the extreme injury done my sentiments and reputation.

I am, Gentlemen,
Your humble Servant,
EDWARD MANWARING.
In their 19 March issue, Edes and Gill apologized for just not having enough space to print Warwell’s deposition. They finally got around to publishing it on 26 March. Later this month, we’ll see what effect it had.

Michael Angelo Warwell, Bit Player in the Boston Massacre

In 1741, in the English market town of Totnes, a baby was baptized with the name Michael Angelo Warwell.

The reason for such a baroque name was that the boy’s parents, John and Maria Warwell, were artists. According to the Rev. Samuel Reynolds, writing in 1740, John Warwell was “a painter and a player.” He was the first professional visual artist to confirm the “very great genius for drawing” of the minister’s son Joshua.

Warwell wasn’t a portraitist, as Sir Joshua Reynolds would be. Instead, he specialized in decorative painting, particularly as architectural accent. In the 1750s he did some sort of work for the the shellwork grotto at Goldney Hall, shown above.

Michael Angelo Warwell followed his father’s other career path, into the theater. Sometime before 1765, he sailed for North America. We know this because his parents followed, putting an advertisement in the 19-31 Oct 1765 South Carolina Gazette:
THIS IS TO INFORM Mr. MICHAEL ANGELO WARWELL…that his father and mother are arrived in the Planters Adventure, Miles Lowley, commander, at Charles-Town, South Carolina, with intent to settle there…
The Warwells set up a household in Charleston near Gov. Thomas Boone’s. John advertised that he painted “HISTORY PIECES: HERALDRY: ALTAR PIECES: COACHES, LANDSCAPES: WINDOW BLINDS, SEA PIECES: CHIMNEY BLINDS, FLOWERS: SKREENS, FRUIT: GILDING.” He also offered to mend and clean pictures, paint rooms, and construct “Deceptive Temples, Triumphal Arches, Obelisks, Statues, &c. for Groves or Gardens.”

On 9 June 1767, the South Carolina Gazette reported that “Mr. Warwell, Sr., a noted limner,” had died. The “Sr.” indicated that the younger Mr. Warwell, still only in his mid-twenties, had made a name for himself locally.

On 11 August, Maria Warwell announced that she was planning to leave South Carolina and wanted to settle her debts. She added:
And while she waits for a passage, she will be much obliged to those who will employ her, in mending in the neatest and most durable manner, all sorts of useful and ornamental china, viz. beakers, tureens, jars, vases, and busts; statues, either in china, glass, plaster, bronze, or marble; should a piece be wanting, she will substitute a composition in its room, and copy the pattern as nigh as possible.
By April 1768, the Warwells’ Charleston house had become the new Customs House. That agency might have been expanding as it collected new revenue through the Townshend duties. I have no idea whether the Warwell family owned the house and thus dealt with the Customs service themselves, but that link seems notable in light of Michael Angelo Warwell’s future friendship with a Customs officer.

The younger Warwell became part of David Douglass’s American Company, a set of theatrical entertainers who came together to perform plays and also offered concerts solo or in small groups. The company was in New York in July 1769.

Warwell collaborated with an actor named Hudgson and a tavern owner named Burns to deliver, “By Permission of his Excellency the GOVERNOR,…an Attic Evenings ENTERTAINMENT.” The two performers read extracts of poetry and plays and sang songs. Admission cost five shillings. According to advertisements in the New-York Gazette and New-York Journal, Warwell’s repertoire included “Bright Author of my present Flame,” “A Song in the Anacreonick Taste,” “A Song set by Dr. Henry Purcel,” “A Martial Song, in Character,” and “a Two Part Song by Mr. Warwell and Mr. Hudgson.”

Warwell then headed north. New England wasn’t a fertile field for theater. In fact, in Boston it was illegal. But that meant there was an upper-class set curious about theater-adjacent entertainment. Performers like Warwell could offer “lectures” and “concerts” that gave people just a taste of the London stage.

On 5 Jan 1770, the New-Hampshire Gazette ran this item, sent from Marblehead on New Year’s Day:
Mr. Hall, by giving the following a Place in your useful Paper, you will oblige one of your Readers.

GENEROSITY and COMPASSION united.

ON Monday the 18th Instant, in the Evening, Mr. M. A. Warwell, Gent. read (at the Assembly Room in this Town) the Beggar’s Opera, to a Number of Gentlemen and Ladies, and to universal satisfaction. His Tickets amounting to £.7-6-9 lawful Money, the whole of which he generously gave as a Charity to the poor and distressed Widows & Orphans of this Place, who are real Objects of Pity and Commiseration.—May the above Example excite others, in their several Capacities, to go and do likewise.
The next month, Warwell was in Plymouth, sitting in on the 7 February meeting of the Old Colony Club. The record of the next day’s meeting says:
This evening was read at the Hall the “Provoked Husband,” a comedy, by Mr. M. A. Warwel, to a company of about forty gentlemen and ladies, by invitation of the Club.
Warwell sat in on two more club meetings that month.

But on 5 March, he was in Boston. And that’s how Warwell got involved in the legal maneuverings around the Boston Massacre.

(I haven’t found any trace of Michael Angelo Warwell after March 1770. However, in the spring of 1771 a Thomas Warwell read The Provoked Husband and sang songs on the Caribbean island of St. Croix—maybe that was a brother.)

COMING UP: Warwell’s memorable fifth of March.