Mercy Warren in History

Since I’ve been writing about the Warrens of Plymouth in 1775, it seems appropriate to mention that there’s a push to increase Mercy Warren’s visibility as the Sestercentennial proceeds.

Last month Nancy Rubin Stuart published this profile of Mercy Warren as “America’s First Female Historian” in the Saturday Evening Post.

Michele Gabrielson portrayed Warren in two episodes of the Calling History podcasts, which records first-person interpretations of historical figures.

And those folks and others launched a nonprofit organization called Celebrate Mercy Otis Warren, which can be found on Facebook.

One of that group’s goals is to have a bust of Warren installed in the Massachusetts State House, perhaps in the one empty spot in the senate chamber.

A bill promoting that plan has been moving through the legislature. As of today, the proposed language is:

The superintendent of state office buildings shall, subject to the approval of the State House Art Commission as to size and content, install and maintain in a conspicuous place of the Art Commission’s choosing in the State House, a memorial honoring Mercy Otis Warren, of Barnstable, Massachusetts, a leading author, playwright, satirist, and patriot in colonial Massachusetts, whose essays contributed to the creation of the Constitution’s Bill of Rights, and whose book, History of the Rise, Progress, and Termination of the American Revolution became this country's first published history of the American Revolution. Said memorial shall be the gift of Cape Cod artist David Lewis who will bear all costs associated with the creation, transportation, and installation of the artwork.

Lewis has already created a full-size statue of Warren shown above. It towers in Barnstable, the town where she was born.

Now I realize part of the Massachusetts legislature’s job is to boost the state’s products, but there were histories of the American Revolution published before Warren’s in 1805. At the time people pointed to David Ramsay’s History of the American Revolution from 1789. Michael Hattem’s superb chronology of the historiography likewise pairs Ramsay and Warren.

(A year even before Ramsay came the Rev. William Gordon’s History of the Rise, Progress, and Establishment, of the Independence of the United States of America. I suppose it doesn’t get counted as “this country’s first” because it was printed in Britain, and in some part written there. However, Gordon clearly composed a lot of material while living in Roxbury. Like Mercy Warren, he knew most of the local players.)

Of course, by coming later Warren’s book could cover the establishment of the federal government. Her final chapter describes the Shays’ Rebellion, the Constitutional Convention, and George Washington’s terms as President, with particular attention to the Jay Treaty. And then some remarks on John Adams that caused a deep rift between him and the Warrens.

I think that although Warren wrote history (just as she had earlier written poetry and closet dramas), her calling and strength were as an opinion writer. She didn’t disguise her feelings about Adams or the Federalist program overall. Writing in a Jeffersonian era, however, Warren was optimistic:

The wisdom and justice of the American governments, and the virtue of the inhabitants, may, if they are not deficient in the improvement of their own advantages, render the United States of America an enviable example to all the world of peace, liberty, righteousness, and truth.