J. L. BELL is a Massachusetts writer who specializes in (among other things) the start of the American Revolution in and around Boston. He is particularly interested in the experiences of children in 1765-75. He has published scholarly papers and popular articles for both children and adults. He was consultant for an episode of History Detectives, and contributed to a display at Minute Man National Historic Park.

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Showing posts with label John Almon. Show all posts
Showing posts with label John Almon. Show all posts

Monday, February 10, 2025

Identifying John Adams’s Mystery Correspondent

Sometime in 1778, John Adams, on his first diplomatic mission for the U.S. of A., passed on a bunch of reading material to Edmé Jacques Genet, director of the French Foreign Ministry’s bureau for translation.

Genet was assembling items for Affaires de l’Angleterre et de l’Amérique (Affairs of England and America), a surreptitious propaganda effort by the French government. (This Genet was the father of Edmond-Charles Genet, the French diplomat whose activities in America irked George Washington while Adams was Vice President.)

Among the material that Adams turned over was the 1775 volume of The Remembrancer, a round-up of the year’s news published in London by John Almon. And in that book Adams discovered a couple of letters he had written himself:
Looking over the Remembrancer, for the Year 1775, found to my Surprize, having never seen this Remembrancer before, two Letters from a Gentleman in the Province of Massachusetts Bay, to his Friend in London, one dated Feb. 10 1775 and the other Jany 21. 1775. They are found in Pages 10.11 and 12 of the Remembrancer for that Year.
Genet never had those letters translated, but many American authors have reprinted the two letters from The Remembrancer, not knowing who wrote them.

Accepting Adams’s claim, the editors of the John Adams Papers included those two letters from early 1775 in their 1977 volume of his correspondence. At the time they lamented, “he failed to mention the intended recipient.”

One clue might be that the letters were published as sent “to his Friend in London” as opposed to “to a Gentleman in London.”

The answer started to become clear when scholars spotted the second of those letters in the Gilder Lehrman Collection. Adams’s correspondent was the British historian Catharine Macaulay. His exchange with her went on longer than previously recognized.

There appear to be some unanswered questions still. The letter published with the date of 10 Feb 1775 (250 years ago today) was actually dated 28 Dec 1774. Did Almon assign the February date from when that text was published in a British newspaper?

That full letter was published in 2020 in The Correspondence of Catharine Macaulay. The part that appeared in The Remembrancer was just part of the complete text.

Finally, the letter that Almon dated to 21 Jan 1775 isn’t part of the Macaulay Papers, at the Gilder Lehrman Institute or published. It’s possible that Adams sent it to someone else in London. But he knew hardly anyone there, and there’s no hint in The Remembrancer or Adams’s letter to Genet that the two letters went to different people. So probably the missing letter went to Macaulay but just hasn’t been found.

Judging by the 10 February/28 December letter, that 21 January letter probably:
  • contained more material than Almon printed.
  • wasn’t dated 21 January.

Monday, March 27, 2023

“His folio military dictionary with plates”

The Boston Athenaeum has digitized its copy of A New Military Dictionary, or, The Field of War: Containing a Particular and Circumstantial Account of the Most Remarkable Battles, Sieges, Bombardments, and Expeditions, Whether by Sea or Land. Such as Relate to Great Britain and Her Dependencies, Deduced from the Descent of Julius Caesar to the Present Time.

This edition appeared in London in 1760. The anonymous author was the journalist John Almon, ten years before he challenged the British government by printing the “Junius” letters, proceedings of the House of Commons, and the Remembrancer compendium of the year’s news.

The title of that book promises lots of stories, but there’s also a story hidden on the title page.

At the top right is the note “David M[torn] / His Book.”

Below that in a different, larger hand is the initial “K.” As the Athenaeum catalogue says, that indicates this book came from the library of Henry Knox.

Knox became the commander of the Continental artillery in late 1775, installed over the heads of all the regiment’s existing officers. Here’s a memory from Susan Smith, daughter of David Mason, who had started the war as third-in-command of that regiment:
As an instance of his good will to Knox, he lent him his folio military dictionary with plates, by Chambers, which he had some time before sent to London for and for which I think I have heard him say he paid ten guineas [£10.10s.]. This valuable book he kept through the war, and to this day, although my father frequently requested him to return it to him, but he always said he could not get along without it and another could not then be procured in the country.
That passage appeared in Smith’s profile of her father published in the Essex Institute Historical Collections.

Monday, November 07, 2022

“Whitmore, usually a courtier, spoke for the Opposition”

Here’s a brief return to the series of postings about George III’s speech to Parliament on 31 Oct 1776 and the Whig opposition’s responses to it.

As I composed those, I was relying on the close-to-official record of the legislature’s debate, the Parliamentary Register published by John Almon.

I supplemented that with comments from Horace Walpole’s Journal of the Reign of King George the Third, from the Year 1771 to 1783. Walpole was the son of Britain’s first prime minister and a keen political observer.

Not until I got back from a trip was I able to confirm an odd detail: Walpole (shown here) recorded one more Member of Parliament speaking in the debate than the Parliamentary Register. His précis included:
Mr. [Thomas] Whitmore, usually a courtier, spoke for the Opposition; asked if the Houses had any terms to propose to the Americans?—if they had, what terms? Were the present measures Lord North’s, or were they forced upon him?
Whitmore didn’t make that volume of the Register at all, despite questioning Lord North—or because he usually didn’t.

By “usually a courtier,” I believe Walpole meant that Whitmore was normally part of Britain’s “court party,” a pejorative term for those supporting those in power in London. (Their opponents called themselves the “country party.” American Whigs often used the same terms since they were an acceptable way of discussing factional political organizing.)

I’m not sure who Whitmore was implicating when he asked if someone had “forced” the prime minister to adopt his American policy.

Later, in 1784, Whitmore was part of the St. Alban’s Tavern group, a caucus of members urging an alliance between William Pitt the Younger and Charles James Fox. Those legislators presented themselves as independent of parties, and apparently that’s how Whitmore was also acting back in 1776.

Tuesday, November 01, 2022

“You then possessed the capital of North America, Boston”

After King George III had opened Parliament on 31 Oct 1776 with the speech quoted yesterday, the House of Commons debated how to respond.

Richard Aldworth-Griffin proposed to thank the monarch with an address echoing all the points he and the government ministers had delivered. George Finch-Hatton seconded that motion.

Then the opposition seized the opportunity to express their views on the American War and how the ministry was carrying it out. At the time, most parliamentary opponents were clustered around the Marquess of Rockingham, who had been prime minister briefly in the 1760s.

The first to speak was Lord John Cavendish, who proffered the opposition’s draft address. His whole speech was longer than the king’s and made several points like this:
Every act which has been proposed as a means of procuring peace and submission, has become a new cause of war and revolt; and we now find ourselves almost inextricably involved in a bloody and expensive civil war; which, besides exhausting at present the strength of all his Majesty’s dominions, exposing our allies to the designs of their and our enemies, and leaving this kingdom in a most perilous situation, threatens, in its issue, the most deplorable calamities to the whole British race.
The Marquess of Granby seconded that. (According to Horace Walpole, Granby was supposed to have offered the motion, “but his youthful diffidence got the better.”) Though both Lord John and Granby had aristocratic titles, they weren’t members of the House of Lords. The first was the younger brother of a duke, the latter the son of a duke. They were thus both eligible to serve in the House of Commons.

George Johnstone, former governor of West Florida (shown above), then got blunt and personal:
The minister’s speech he declared to be an entire compound of hypocrisy. It made his Majesty talk of peace, at the very moment when not only all Europe, but this kingdom, gave the most evident appearances of preparation for war. In short, it was like a deceptious mirror reflecting a false image of truth. That part of it which talked of giving the Americans law and liberty, he conceived to be a mere turn of wit and humour, which would not bear a serious interpretation. It was an insidious hypocritical speech that held out law and liberty at the point of the sword.
George Wombwell, a government supporter and director of the East India Company, replied to one of Johnstone’s points, about sailors being impressed for the Royal Navy, by insisting that “no press was better conducted than the present.” The printed report on the debate stated: “He censured the Americans as a bragging, cowardly banditti, &c.”

The Parliamentary Register for this year was published by printer John Almon, and he leaned decidedly toward the Whigs. One result of that, I suspect, was that opposition speeches were recorded more fully than speeches in favor of the government. Wombwell’s remarks were summarized in four lines and “&c.” while Johnstone’s filled a page and a half.

The next speaker was John Wilkes, and he got six pages. Among his remarks to the government:
Nothing decisive can follow from the late successful affair on Long Island, no more than from the defeat at Sullivan’s Island. New York will probably fall into your hands, but your situation will in that case be scarcely mended since the last year, for you then possessed the capital of North America, Boston. Is that great and important town advantageously exchanged for New York? I forgot that we still possess the fishing hamlet of Halifax.
The Hon. Temple Luttrell, son of an earl, offered a speech full of historical allusions both ancient and modern. He insisted:
It is a very unfair argument to alledge that the Americans fight for independency---You must be sensible, Sir, that the only way to straighten a bow is to wrest it with vigour to an opposite curve: the acts of this legislature affecting the colonists were so warped from rectitude, that their only chance to recover a right line of justice was by proceeding to contrary extremities, to announce disunion and absolute freedom. . . .

If you empower the commissioners in America [Adm. Richard Howe and Gen. Sir William Howe] to propose peace on equitable conditions, offer to restore their charters, and relinquish the unsustainable claim of taxation with a good grace---even now while your armies figure in the field, under hitherto triumphant generals---and I make no doubt, but by so laudable a step, you will obtain from your colonies, through the Howe’s, as fair and magnanimous an answer, as that which was sent from the Falerii to the Roman senate, by the great Camillus---“The Romans in having preferred justice to conquest, have taught us to be satisfied with submission instead of liberty.”
The supporters of the American cause were thus not much better informed about the state of the new U.S. of A. than the government ministers. They believed the Declaration of Independence was just a bargaining position and might yet be withdrawn.

TOMORROW: The debate rolls on.

Monday, March 22, 2021

A Pyrrhic Victory in the Printers’ Case

In Parliament, 250 years ago this season, there was a big step forward in press freedom to report about how English-speaking governments worked.

Back in 1731, Edward Cave launched the Gentleman’s Magazine, which among its features included detailed reporting on the debates in Parliament, going beyond the official House Journals record of motions and whether or not they were adopted. Cave had actually been jailed a few years earlier for publishing such reports. This time he issued his proceedings only during parliamentary recesses, which provided legal cover.

According to James Boswell, Cave passed “scanty notes” on the debates to a young writer named Samuel Johnson to turn into oratorical arguments. It’s not that surprising, therefore, that these reports were often distorted—or so the prime minister, Sir Robert Walpole, complained.

In 1738, the House of Commons resolved:
That it is a high indignity to, and a notorious breach of the privilege of, this House for any news-writer in letters or other papers…to give therein any account of the doings or other proceedings of this House, or any Committee thereof, as well during the recess as the sitting of Parliament, and this House will proceed with the utmost severity against such offenders.
The London Magazine and Gentleman’s Magazine then started to report on the debates as if they had taken place in ancient Rome, Lilliput, or the Robin Hood Society, thinly disguising legislators’ names. Another trick was to replace some letters of the Members’ names with asterisks or dashes. Because of the magazines’ slow publishing schedule and upper-class audience, it appears, the government didn’t press its objections.

In the 1760s, however, John Wilkes brought more populist politics to London, with the business community and big crowds behind him. The capital’s newspapers increased their coverage of Parliament’s debates. That meant quicker reporting to a larger and closer readership.

The Houses responded by clearing all spectators out during debates, sometimes by force. At the end of 1770 the Whig M.P. Isaac Barré complained about how he’d been pushed out of the House of Lords as if by “a very extraordinary mob” headed by two earls.

On 5 Feb 1771, a Member named George Onslow asked for Parliament’s old rule against printing the proceedings to be read again. Onslow had started in Parliament as a Rockingham Whig, opposing the prosecution of Wilkes and the Stamp Act, but he’d become a strong supporter of Lord North’s government, and he didn’t like how printers were representing it.

Opposition members of the House disagreed with Onslow’s proposal. Charles Turner argued that “not only the debates ought to be printed, but a list of the divisions [i.e., votes] likewise.” Edmund Burke said he wished all debates were fully recorded in the House Journals.

Naturally, the press reported on that debate. John Horne, a radical clergyman, prefaced the coverage in the Middlesex Journal for 7 February with this line:
It was reported, that a scheme was at last hit upon by the ministry to prevent the public from being informed of their iniquity; accordingly, on Tuesday last, little cocking George Onslow made a motion, that an order against printing debates should be read.
Onslow took the bait on 8 February, rising solemnly to complain that the Middlesex Journal and another paper, the London Gazetteer, had misrepresented Parliament and brought it into poor repute. He demanded that the printers Roger Thompson and John Wheble be summoned to explain themselves. By a vote of 90 to 50, the House adopted Onslow’s resolution.

But those printers didn’t show up. They didn’t come to their front doors to accept warrants. On 8 March the Crown issued a proclamation offering £50 for apprehending the two men. Meanwhile, newspapers heaped more criticism on Onslow: “That little insignificant insect, George Onslow, was the first mover of all this mighty disturbance.”

On 12 March, Onslow demanded to hear from six more publishers who continued to run parliamentary reports. On the first vote the House supported him, 140 to 43. Another member suggested summoning not only the proprietor of each newspaper but “all his compositors, pressmen, correctors, blackers and devils,” which produced more argument over both legalities and language. The Whigs kept moving to cancel the discussion and adjourn; the majority kept voting to proceed.

One account said, “There were so many divisions, and such strong and personally offensive expressions used during the course of this debate, that the Speaker [Fletcher Norton, shown above] said, ‘This motion will go into the Journals—what will posterity say?’” After more votes Norton declared, “I am heartily tired of this business.” Barré spoke up: “I will have compassion on you, sir; I will move the adjournment of the House.” That motion produced another round of debate.

Of all the printers Onslow had named, two appeared in the House, ritually knelt in penance, and paid fines. The rest made excuses to stay away or just lay low. Some replied that they would come when the legal situation was resolved.

Wilkes orchestrated the next move. Wheble and Thompson let themselves be apprehended by fellow printers and brought before the aldermen of London—namely Wilkes and his political allies. Those officials demanded to know under what authority the printers had been seized. When the captors pointed to the proclamation, Wilkes declared such an order “contrary to the chartered rights of this city, and of Englishmen.”

The conflict between levels of government grew. The Crown arrested Alderman Richard Oliver and the Lord Mayor, Brass Crosby, for defying parliamentary authority. They remained in the Tower of London until the end of the legislative session, then came out to a twenty-one gun salute and a parade of carriages. Crowds hanged Onslow and Norton in effigy on Tower Hill.

Legally the “printers’ case” of 1771, as it was called, ended in a victory for the House of Commons. Courts upheld its authority to determine how its proceedings would be published. But politically everyone realized that the press and society were operating under new rules. British citizens now expected to read full reports of what their legislators were saying. Parliament never tried to exercise its authority so strictly again.

The only way legislative houses could regain control of the reporting process was to issue their own official or semi-official transcriptions of debates. John Almon and John Debrett launched the Parliamentary Register in 1775. William Cobbett began publishing more detailed Parliamentary Debates in 1802, and that became the modern standard Hansard Debates. That tradition transferred over to the U.S. of A., with the Congressional Record, the Capitol press galleries, and C-SPAN as the offshoots.

Friday, February 05, 2021

“The printed Narratives of the late horred Massacre”

This week I watched an online talk by Robert Darnton about his new book Pirating and Publishing: The Book Trade in the Age of Enlightenment. He described various stratagems printers and booksellers used to get around two stifling forces in ancien régime France: censorship by the government and monopoly by Paris’s licensed printers and booksellers. 

That topic made me think of another event from 1770 Boston in that I didn’t mention on its Sestercentennial anniversary, in part because it was kept low-key to avoid attracting too much attention.

Compared to France, the late-1700s British Empire had very free publishing laws. But in March 1770 the Boston town meeting imposed a specific bookselling ban: it commissioned Benjamin Edes and John Gill and the Fleet brothers to print the Short Narrative of the Horrid Massacre, but forbade them from selling copies locally.

The town itself dispatched copies of that report to Britain. William Molineux sent a copy to Robert Treat Paine to help him prepare for the trials. Copies were shipped to other colonial ports. But the Boston Whigs wanted to avoid any complaints that the report had prejudiced the Suffolk County jury pool against the Boston Massacre defendants, so they banned local sales.

After copies of the Short Narrative reached London, Whiggish printers there produced their own editions to satisfy public interest. William Bingley approximated the Boston publication’s layout. Edward and Charles Dilly, working with John Almon, commissioned a copy of the engraved image of the shooting made by Henry Pelham and Paul Revere and added that as a frontispiece, as shown above.

By July 1770, copies of those British editions had arrived back in Boston, along with evidence of other responses to the Massacre in London, such as Capt. Thomas Preston’s “Case,” the Fair Account of the Late Unhappy Disturbance, and Andrew Oliver’s description of the actions of Massachusetts Council. Those got most of the attention from top local Whigs, but the printers had their own interest.

At a 10 July town meeting, the Short Narrative’s original printers noted that, since the London edition was circulating, the jury pool was already tainted with no local getting any benefit. The town considered “A Motion made that the printed Narratives of the late horred Massacre, which had been retained by order of the Town in the hands of the Committee; may now be sold by the Printers.”

Town clerk William Cooper’s notes say it “Passed in the Narrative”—a slip of the pen for “Negative.” In other words, the printers had to keep sitting on their costly investment in paper and labor.

TOMORROW: Getting to market anyway.

Wednesday, May 27, 2020

John Courtenay: “On the red herring scent of American taxation”

This week I learned from the Words for Granted podcast that one of the first documented uses of the phrase “red herring” as a metaphor for a distracting false lead arose from the American Revolution.

For centuries “red herring” meant a herring preserved by smoking, or a kipper. There are also references from the late 1600s to smelly red herrings being used to train horses or dogs to follow a scent in preparation for hunting.

On 20 Mar 1782, a Member of Parliament named John Courtenay (1738-1816) was speaking in the House of Commons. Courtenay was a former British army lieutenant born in Ireland. He represented Tamworth in the 1780s, but really he was a witty mouthpiece for his political patrons, at this point Viscount (later Marquess) Townshend.

As reported in volume 6 of The Parliamentary Register, published later in 1782:
The noise, clamour, and cry to adjourn were so strong, that Mr. Courtenay, though he spoke in a strong, and elevated tone of voice, could scarcely be heard, upon which he called out very audibly, “that neither his temper, disposition, nor country, inclined him to be intimidated, embarrassed, or easily put out of countenance, he would therefore finish what he had to say before he sat down,” which was, that though he had not the honour of being one of those sagacious country gentlemen, who have so long vociferated for the American war, (a war which he should ever think impolitic, unjust, and inexpedient) who had so long run on the red herring scent of American taxation, before they found out there was no game on foot; they, who like (their prototype) Don Quixote, had mistaken the barber’s bason for a golden helmet, he now congratulated them on having, at last, recovered their senses, and found out their error…
The references to “country gentlemen” and “no game on foot” clearly tie this metaphor to aristocratic rural hunters. Courtenay thus presented “American taxation” as a foolish and distracting political goal, not worth chasing.

As I’ve noted before, at the start of the unrest in America, British printers were still prosecuted for reporting on speeches in Parliament. John Almon had started to issue the Parliamentary Register in 1775, just in time for the American war.

By the 1780s reporting on debates had become acceptable enough for John Stockdale to issue Beauties of the British Senate: Taken from the Debates of the Debates of the Lords and Commons, as a “greatest hits” collection of rhetoric with extracts of speeches back to Robert Walpole’s ministry. Courtenay’s entries were listed in the contents under “Humour,” “Remarkable Sayings,” “Satire,” “Simile,” and “Wit” rather than, say, “East-India Affairs” or “Freedom of Election.” The red herring speech, rendered in first-person present instead of third-person past, was one of his memorable “Similes.”

A few years later, Courtenay broke with William Pitt’s party to join Charles James Fox’s opposition. Deploying truckloads of sarcasm, he supported the changes across the Channel in Philosophical Reflections on the Late Revolution in France (1790). In parliamentary debate Courtenay reminded Edmund Burke “how he exulted at the victories of the rebel [George] Washington.”

Many authorities credit William Cobbett (1763-1835, shown above) with coining the metaphor of a “red herring,” based on a story he published in his Political Register weekly in 1807 and expanded in 1833. Cobbett did indeed use the phrase “political red herring” at the end of a shaggy-dog story about him as a boy drawing hounds off the scent of a hare with a kipper.

However, in that period Cobbett and his printer, Thomas Curson Hansard, were also publishing their own Parliamentary Debates reports and a multi-volume Parliamentary History of England. Volume 22 of Cobbett’s Parliamentary History, which came out in 1814, presented Courtenay’s speech as printed back in 1782, with changes only in punctuation. So Cobbett knew about Courtenay’s earlier use.

TOMORROW: An even earlier appearance.

Tuesday, June 07, 2016

The Privilege of Printing Parliamentary Debates

Every so often I’ve mentioned how in the 1760s the British press was wary of reporting the exact language of Parliament’s debates.

There’s no official record of the debate over the Stamp Act, for instance, or the debate to repeal it. Instead, we have to rely on private letters and memoirs, which often disagree. (Of course, official records can also disagree with letters and memoirs, and with what legislators actually said.)

In 1767 the bookseller John Almon offered a Political Register which reported on the Earl of Camden’s speech against the Declaratory Act the year before. But Almon protected himself by referring only to how “L— C——” spoke to the “B—— p———” on the issue of taxing the “A——— c——.” And he never published a second volume because of government pressure.

This portrait of London alderman Richard Oliver is another document of that debate over open government. As the website of Britain’s ArtFund explains:
In 1771 a messenger of the House arrested [John] Miller, the printer of the London Evening Post, for a breach of privilege for publishing Parliamentary debates. Richard Oliver, an Alderman of Billingsgate Ward and MP for the City[,] was a magistrate on the case together with Brass Crosby, the Lord Mayor, and Alderman John Wilkes.

The Court released Miller[,] but Crosby and Oliver were ordered to attend the House of Commons, where their actions were declared a breach of privilege. Both were committed to the Tower of London in March and not released until the end of the Parliamentary session in May.

While in the Tower both Crosby and Oliver had their portraits painted by Robert Edge Pine, a portrait and history painter who was a supporter of Wilkes and a man of strong radical sympathies. In consequence of Crosby and Oliver’s stand against the House, no attempt has since been made to prevent publication of parliamentary speeches.
The transcripts that Miller printed came from Almon. Around that same time, the government also prosecuted those two men for reprinting the Letters of Junius, winning convictions but losing the political battle. In 1774, Almon established the Parliamentary Register as a regular publication, and soon the British public felt entitled to know what Members of Parliament were saying.

This fight for press freedom was closely tied to the debate over Britain’s policy toward America. Almon supported American autonomy. Oliver was one of the few M.P.’s to vote against the Boston Port Bill in 1774 (as well as a distant cousin of Massachusetts lieutenant governor Thomas Oliver). The artist Pine, who briefly tutored Prince Demah, and the printer Miller both moved to America around the end of the war.