J. L. BELL is a Massachusetts writer who specializes in (among other things) the start of the American Revolution in and around Boston. He is particularly interested in the experiences of children in 1765-75. He has published scholarly papers and popular articles for both children and adults. He was consultant for an episode of History Detectives, and contributed to a display at Minute Man National Historic Park.

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Showing posts with label John Smibert. Show all posts
Showing posts with label John Smibert. Show all posts

Monday, September 07, 2020

The Long History of the Faneuil Hall Name

Boston’s Faneuil Hall is different from most other landmarks and monuments bearing slaveholders’ names because in most cases those sites arose from a later generation choosing to honor a person.

Sometimes that act is meant to elevate a local hero, as in Albany’s statue of Gen. Philip Schuyler. Sometimes it’s a way for a locality to bask in the celebrity of an established hero, as in George Washington High School in San Francisco. And sometimes it’s an attempt to vindicate a particular ideology, as in the big statue of Robert E. Lee in Richmond, erected in 1890.

But none of those approaches apply to Faneuil Hall. Peter Faneuil was a wealthy Boston merchant with no wife or children who in 1740 offered to pay for a new marketplace and meeting hall. Since a crowd of protesters had destroyed the market building at Dock Square only three years before, that offer required some discussion. The space for town meetings was obviously an attempt to make the market stalls acceptable. Bostonians barely voted to accept Faneuil’s money.

The new building opened at the old space in September 1742. By this time the town meeting was happy to have it. Future governor Thomas Hutchinson moved that the hall be named after its donor, “at all times hereafter.” The town approved that proposal, also commissioning a portrait by John Smibert and a Faneuil coat of arms to hang inside.

Peter Faneuil died unexpectedly the following year. He was a major player in Boston’s business community in the 1730s, and at his death people said he had been charitable. But he played no role in the local historical developments that get the most attention: not the Puritan settlement, not the Revolution, not even the witchcraft trials or first smallpox inoculations. Most Faneuil family members became Loyalists.

Aside from funding the hall, I don’t see evidence of Peter Faneuil doing anything else of importance. The Faneuil Hall name is thus more like how Gillette Stadium hypes the highest corporate bidder than like how the Washington Monument honors the first President.

That name might even give Peter Faneuil too much credit. In January 1761 the building burned. (This was less than a year after the great fire that started at the Sign of the Brazen Head.) The town decided to rebuild within the surviving walls, this time adding a slate roof. For funds, the province authorized a lottery; advertisements for the periodic ticket sales and prize drawings appear throughout the Revolutionary period. But the building was still called Faneuil Hall.

In 1806, that meeting hall was greatly expanded from the 1761 design shown above to its present dimensions, growing both up and out. But the building was still called Faneuil Hall.

In the 1820s the first Mayor Josiah Quincy pushed for Boston—now a city—to build new stone buildings to the east of the hall, creating much more market space. The central domed building is called Quincy Market. But the whole collection of buildings is called Faneuil Hall Marketplace.

In sum, Peter Faneuil funded the first version of one corner of the smallest of four buildings in the complex, but his name is on the whole thing.

Or is it? We probably don’t remember his name accurately. The Faneuil originally pronounced their name with French vowels. The British, or more particularly Yankee British, changed that, as I discussed back here. Smibert, Robert Love, and other Boston contemporaries wrote it out as “Funnel.” In the nineteenth century people rediscovered some version of the French original, but its spelling and pronunciation remain a special challenge.

We thus use the Faneuil Hall name not out of admiration for Peter Faneuil and all he was—native New Yorker, child of Huguenot refugees, disabled bachelor, Anglican convert, merchant trading with the Caribbean, slave trader. We use the name simply because that’s what we all grow up calling that building. And the building has become much more famous than its namesake.

Since important Revolutionary events occurred inside that space, the name of Faneuil Hall is in American history books. The site is on the Freedom Trail. It’s an anchor of Boston National Historical Park. And the civic building continues to fulfill its original purpose—drawing customers to the nearby shops.

TOMORROW: So what can we call it?

Saturday, February 08, 2014

Footnotes on “Reporting the Battle of Lexington”

Last night’s talk at the Lexington Historical Society was fun, and I learned new stuff while preparing it.

For instance, the Museum of Fine Arts in Houston owns this John Smibert portrait of Samuel Pemberton painted in 1734 when he was eleven years old. Not too young to shave his head and wear a wig, however. In 1770, Pemberton was on the committee with James Bowdoin and Dr. Joseph Warren to prepare Boston’s official report on the Boston Massacre.

The main thesis of my talk was that the Massachusetts Patriots, and Warren in particular, learned from that episode in 1770 that they could be scooped by royal officials if they didn’t send their version of events to London quickly. So after the Battle of Lexington and Concord in 1775, Dr. Warren and his Massachusetts Provincial Congress colleagues worked fast and commissioned the Derby brothers of Salem to speed their documents to London ahead of Gen. Thomas Gage’s dispatches.

In writing about that voyage in Reporting the Revolutionary War, I said that John Derby sailed with issues of the Salem Gazette dated 21 and 28 Apr 1775. I was relying on my notes on Robert S. Rantoul’s article in the Essex Institute Historical Collections for 1900, “The Cruise of the ‘Quero’.” As shown here, Rantoul wrote that Derby “had with him copies of the Salem Gazette for April 21st and 25th.” The Salem Gazette, like almost all colonial newspapers, was a weekly, so issue dates had to be seven days apart. I figured either Rantoul or I had made a mistake in our notes and “25th” should be “28th.”

Before my talk Todd Andrlik, chief author of Reporting the Revolutionary War, sent me an image from the 27-30 May 1775 London Chronicle showing a long quotation from the 25 April Essex Gazette, published up the coast from Salem in Newburyport. So that was one of the newspapers Derby had brought to convince people in London there really had been a battle. I should have corrected Rantoul not on the date but on the name of the paper: Derby sailed with the 21 April Salem Gazette and the 25 April Essex Gazette.