Harvard Digital Collections from the Colonial Period

Last month the Harvard Gazette featured some treasures from the university’s Colonial North America collection, “approximately 650,000 digitized pages of handmade materials from the 17th and 18th centuries.”

Most of that material consists of manuscripts, but highlighted in this article are:

• a Charles Willson Peale miniature portrait of George Washington on ivory, slightly over an inch wide, shown here.
• Prof. John Winthtrop’s almanac for 1772, its frontispiece Paul Revere’s woodcut version of his Boston Massacre copperplate engraving.
• a globe three inches across, made in 1757 and encased in a spherical case covered in shark skin that doubled as a celestial globe.

As I type, the collection’s front page features documents created by Dr. John Jeffries and the Rev. Thaddeus Mason Harris, two men from Revolutionary Massachusetts I don’t fully trust. But I can’t hold that against the university.

This week the university announced the launch of the larger Harvard Digital Collections, which contains the material from Colonial North America. That “provides free, public access to over 6 million objects digitized from our collections—from ancient art to modern manuscripts and audio visual materials.”

What’s more, this is the policy on copyright governing this material:

In order to foster creative reuse of digitized content, Harvard Library allows free use of openly available digital reproductions of items from its collections that are not under copyright, except where other rights or restrictions apply.

Harvard Library asserts no copyright over digital reproductions of works in its collections which are in the public domain, where those digital reproductions are made openly available on Harvard Library websites.

So if a person wanted an image of a certificate of initiation into the African Lodge of Freemasons, signed by Prince Hall, George Middleton, and other officers, one has merely to click.