J. L. BELL is a Massachusetts writer who specializes in (among other things) the start of the American Revolution in and around Boston. He is particularly interested in the experiences of children in 1765-75. He has published scholarly papers and popular articles for both children and adults. He was consultant for an episode of History Detectives, and contributed to a display at Minute Man National Historic Park.

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Tuesday, November 14, 2023

“The famous Jacob Bates hath lately exhibited here”

We last left the equestrian Jacob Bates as he arrived in Newport, having already exhibited his skills in Philadelphia, New York, and Boston.

As I noted then, Bates didn’t advertise in Rhode Island newspapers the way he’d done in those other cities. Thus, we don’t have that sort of evidence about his shows.

But we do have a description written on 14 Nov 1773, 250 years ago today, in a letter by the lawyer William Ellery (1727–1820, shown here):
But I cannot bid you adieu in this solemn manner. Totus mundus agit histrionem. [The whole world’s a stage.] The famous Jacob Bates hath lately exhibited here his most surprising feats of horsemanship, in a circus or enclosure of about one hundred and twenty feet in diameter, erected at the east end of Mr. Honyman’s field. The number of spectators was from three to seven hundred. He exhibited four times, and took half a dollar for a ticket.

A mountebank doctor, who lately came into America from some part of Europe, (Great Britain, I believe,) and who is expected here, is now haranguing daily, from a wagon, to the good gaping people of Connecticut, and, while they are gaping, he is picking their pockets. Strolling players we have had among us. I expect that, in a few years, Drury Lane and Sadler’s Wells, &c., will be translated into America.

I wish, while we are encouraging the importation of the amusements, follies, and vices of Great Britain, America would encourage the introduction of her virtues, if she have any; for I am sure, by thus countenancing her follies and vices, we shall lose the little stock of virtue that is left among us. This I am very clear in, that exhibitions of players, rope-dancers, and mountebanks, (I must confess, indeed, there is something manly and generous in the exhibitions of Mr. Bates; for a well-formed man, and a well-shaped, well-limbed, well-sized horse, are fine figures, and in his manage are displayed amazing strength, resolution, and activity,) have a more effectual tendency, by disembowelling the purse, and enfeebling the mind, to sap the foundations of patriotism and public virtue, than any of the yet practised efforts of a despotic ministry. But it will be in vain to talk against these things, while there are a hundred fools to one wise man.
Like the person who wrote to the Boston Evening-Post quoted here, Ellery saw Bates as the sort of London showman that good New Englanders should beware of. Yet he also viewed that particular equestrian act as better than other theatricals. Indeed, he appears to have enjoyed the spectacle.

The “Mr. Honyman” who provided land for Bates’s display was probably James Honeyman, Esq. (1710–1778), a prominent lawyer and broker of marine insurance. His namesake father had been rector of Newport’s Trinity Church. In the early part of his career Honeyman was elected to various offices, including Rhode Island attorney general. By this time, however, he held royal appointments instead since he leaned toward the Crown in politics. During the war Honeyman resigned his remaining government posts and tried to sit out disputes.

William Ellery himself went on to represent Rhode Island in the Second Continental Congress, arriving just in time to vote for and sign the Declaration of Independence and remaining until 1785.

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