Four Decades of “Dr. Sam Johnson, Detector”
I’ve been discussing the historical background behind Lillian de la Torre’s mystery short story, “The Great Seal of England.”
In 1943 De la Torre was in her forties and known around Colorado Springs as Lillian McCue, wife of a Colorado College professor. Then she sold that story to Ellery Queen’s Mystery Magazine.
That launched De la Torre’s career as a writer. She was an Ellery Queen favorite for the next four decades. A couple of years after that first sale, she even visited Hollywood to consult on some movies. Eventually she served a year as president of the Mystery Writers of America.
With her “Dr. Sam Johnson, Detector” stories, Lillian De la Torre invented a new subgenre of whodunnits. Although Melville Davisson Post had written Uncle Abner mysteries set in the ante-bellum past starting in 1911, De le Torre innovated by basing her “detector” and the characters around him on actual historical figures, and crafting her plots around real events.
De la Torre’s first published book was a fictionalized analysis of what happened to Elizabeth Canning in 1753, called Elizabeth Is Missing. She wrote other books in this vein, such as The Heir of Douglas. Though these were originally published as fiction, De la Torre believed she had identified the correct solutions to those historical enigmas, and they’re now presented as “definitive accounts” of the underlying events. (Other authors would differ.)
For her stories about Dr. Johnson, De la Torre had the advantage of James Boswell’s extensive writings about the man. She produced an entertaining pastiche of Boswell’s voice, including not only his language and details but even dialogue structure.
To her credit, De la Torre also recognized the limitations of that narrative approach, as when Johnson’s other and closer biographer, Hester Thrale Piozzi, makes an appearance. “Boswell did not like Mrs. Thrale,” the author noted in an afterword; “he considered her his rival for ‘that great man.’” (Adam Gopnik wrote about Johnson and Thrale for the New Yorker.)
The stories jump around in time to take advantage of different events in George III’s realm. Some involve figures from the American Revolution, such as waxwork artist and spy Patience Wright and scientist and diplomat Benjamin Franklin. Mike Grost noted that De la Torre wrote about thefts as often as murders.
In some ways, De la Torre’s stories show the biases of her own time. Dr. Johnson had a servant and heir named Francis Barber (shown above), who had been freed from slavery in Jamaica. De la Torre brought Barber onto the scene in her first published story, but gave him no more life than a piece of furniture. Not until “The Blackamoor Unchain’d” (1974) did he become a full character, and then only for one tale. These days I’m sure authors would see much more potential in Barber’s own life.
There were four collections of De la Torre’s “Dr. Sam Johnson, Detector” stories, and the Mysterious Press has reissued them in digital form:
As of this writing, they’re on sale at a discounted price on the major ebook platforms.
In 1943 De la Torre was in her forties and known around Colorado Springs as Lillian McCue, wife of a Colorado College professor. Then she sold that story to Ellery Queen’s Mystery Magazine.
That launched De la Torre’s career as a writer. She was an Ellery Queen favorite for the next four decades. A couple of years after that first sale, she even visited Hollywood to consult on some movies. Eventually she served a year as president of the Mystery Writers of America.
With her “Dr. Sam Johnson, Detector” stories, Lillian De la Torre invented a new subgenre of whodunnits. Although Melville Davisson Post had written Uncle Abner mysteries set in the ante-bellum past starting in 1911, De le Torre innovated by basing her “detector” and the characters around him on actual historical figures, and crafting her plots around real events.
De la Torre’s first published book was a fictionalized analysis of what happened to Elizabeth Canning in 1753, called Elizabeth Is Missing. She wrote other books in this vein, such as The Heir of Douglas. Though these were originally published as fiction, De la Torre believed she had identified the correct solutions to those historical enigmas, and they’re now presented as “definitive accounts” of the underlying events. (Other authors would differ.)
For her stories about Dr. Johnson, De la Torre had the advantage of James Boswell’s extensive writings about the man. She produced an entertaining pastiche of Boswell’s voice, including not only his language and details but even dialogue structure.
To her credit, De la Torre also recognized the limitations of that narrative approach, as when Johnson’s other and closer biographer, Hester Thrale Piozzi, makes an appearance. “Boswell did not like Mrs. Thrale,” the author noted in an afterword; “he considered her his rival for ‘that great man.’” (Adam Gopnik wrote about Johnson and Thrale for the New Yorker.)
The stories jump around in time to take advantage of different events in George III’s realm. Some involve figures from the American Revolution, such as waxwork artist and spy Patience Wright and scientist and diplomat Benjamin Franklin. Mike Grost noted that De la Torre wrote about thefts as often as murders.
In some ways, De la Torre’s stories show the biases of her own time. Dr. Johnson had a servant and heir named Francis Barber (shown above), who had been freed from slavery in Jamaica. De la Torre brought Barber onto the scene in her first published story, but gave him no more life than a piece of furniture. Not until “The Blackamoor Unchain’d” (1974) did he become a full character, and then only for one tale. These days I’m sure authors would see much more potential in Barber’s own life.
There were four collections of De la Torre’s “Dr. Sam Johnson, Detector” stories, and the Mysterious Press has reissued them in digital form:
As of this writing, they’re on sale at a discounted price on the major ebook platforms.
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