Pilots of the Revolution

Founders’ Chic is apparently washing up on American television, just a few years after H.B.O.’s John Adams miniseries garnered acclaim. Late last year, Deadline.com reported on two networks starting work on different series set in eighteenth-century America.

N.B.C. is developing George Washington, a drama that David Seidler will adapt from Ron Chernow’s biography of the first President. Barry Levinson is slated to direct the pilot if the project gets that far. That’s two Oscar winners working with Carnival Films & Television, the company behind Downton Abbey. The article states:

George Washington is described as an intimate look at the enigmatic leader who became the father of a nation on one side of the Atlantic and a terrorist on the other, a man to be eliminated at all costs by the British Crown. As episodes move back and forth through the war hero and President’s life and tell the little-known and unlikely story of his survival and triumph, his true character is revealed for the first time. And he is not the man who chopped down the cherry tree.

“There’s George Washington the national icon, gazing out from the dollar bill with his mouthful of supposedly wooden teeth, and then there’s the George Washington who had an adulterous affair with his best friend’s wife,” Seidler said. “The George Washington obsessed with social status, finely-tailored clothes, his image. Not an icon, a very human human-being, who learned how to lead. That’s the man I want to understand.”

That “adulterous affair” is presumably young Washington’s relationship with Sally Fairfax. Historians and biographers debate how far they actually went, but he certainly flirted in letters to her. Chernow actually concluded that Fairfax “rebuffed” Washington’s declaration of love, and that his brief “infatuation” faded quickly. So has Seidler decided that making television drama, or at least promoting it, requires declaring that there definitely was “an adulterous affair”?

Over at A.M.C., the network has expressed interest in a comedy called We Hate Paul Revere. It centers on “two brothers living in Colonial Boston who are not fans of local industrialist and activist Paul Revere.” I don’t think it’s fair to call Revere an “industrialist” until after “Colonial Boston” had given way to Federal Boston, so I have questions about the historical accuracy of this one, too. There’s definitely fodder for comedy in pre-Revolutionary Boston—social friction can always be funny. But getting the history right might give the result even less mass appeal than The Secret Diary of Desmond Pfeiffer.

Of course, I’m not holding my breath for either of these shows to appear in my cable box. Neither yet appears to be at the pilot stage, much less scheduled to air. Many more movies and television shows go into “development” than come out on screens. Back in 1995, the Los Angeles Times and Variety were reporting that Ben Stiller was about to direct himself and Danny DeVito in Spies and Innkeepers, “a comedy set in the American Revolution” written by Jeff Kahn. That never happened, though Universal still owns the property.

(Picture above from an April 1984 issue of TV Guide showing Mike Wallace interviewing Barry Bostwick as George Washington. Remember that miniseries? Jaclyn Smith played Sally Fairfax, and who wouldn’t be infatuated with her?)