The Other Fleet Brothers: “brought up to work at press and case”
I talked about newspapers and the people who printed them—a group that included not only white men but women (Margaret Draper), children (apprentices like Benjamin Russell and Peter Edes), and blacks—and for that last group I couldn’t offer any specifics beyond Isaiah Thomas’s memory of a man carving woodcuts for a rival printer.
But then I dug a little deeper, finding some information I should have remembered reading and some that appears to have been lately brought to light—and perhaps a detail that’s new.
Here’s the initial statement from the “Memoir of Isaiah Thomas” published by a descendant in 1874:
At this period there were few persons in Boston who could “cut” on wood or type metal. Thomas Fleet, the printer of the Boston Evening Post, was also a rival of [young Isaiah’s master Zechariah] Fowle in the printing of ballads. Fleet had a negro who illustrated his ballads by cuts. Young Thomas was induced to try his hand in decorating those printed by Fowle. He “cut” about an hundred plates, rude and coarse indeed, “but nearly a match,” he says, “for those done by the negro.”Thomas had had more to say in his History of Printing in America, first published in 1810. In his entry on Thomas Fleet (1685-1758), he wrote:
But the principal performances of Fleet, until he began the publication of a news paper, consisted of pamphlets, for booksellers, small books for children and ballads. He made a profit on the latter, which was sufficient to support his family reputably. He owned several negroes, one of which worked at the printing business, both at the press and at setting types; he was an ingenious man, and cut, on wooden blocks, all the pictures which decorated the ballads and small books of his master.Pompey and Caesar were very common names for male slaves in New England, almost cliché, but at least Thomas left names to look for.
Fleet had also two negro boys born in his house; sons, I believe, to the man just mentioned, whom he brought up to work at press and case; one named Pompey and the other Cesar; they were young when their master died; but, they remained in the family and continued to labor regularly in the printing house with the sons of mr. Fleet, who succeeded their father, until the constitution of Massachusetts, adopted in 1780, made them freemen.
In 1924, the Colonial Society of Massachusetts published a short article by Samuel Eliot Morison that quoted from Thomas Fleet’s 1759 estate inventory in a footnote. Among the people that printer owned at his death were:
- Pompey, 14 years old, [value] £40
- Caesar, 11 years old, £33.6.8
TOMORROW: Pompey and Caesar’s father.
[The photograph above shows some of the printing staff at Colonial Williamsburg.]


