“I fear’d young HAMILTON’S unshaken soul“

As David Humphreys and his fellow Hartford Wits composed the early installments of their Anarchiad, states were deciding whether to send delegations to a constitutional convention in Philadelphia.

The stated purpose of that convention was to revise the Articles of Confederation, but many people hoped—or worried—that the gathering might make very deep revisions indeed.

The Hartford Wits supported big change. Their fellow citizens of Connecticut were not so sure. The middle installments of the Anarchiad spent a lot of lines attacking James Wadsworth, state comptroller and a strong opponent of a new national constitution.

In March 1787 Humphreys wrote to his former boss George Washington that Connecticut might not send a delegation to Philadelphia at all. But most other states had committed by then, so the poets saw reason for optimism.

The 5 April installment of the Anarchiad depicted the villain Anarch lamenting his defeat, as in these lines:

Ardent and bold, the sinking land to save,
In council sapient as in action brave,
I fear’d young HAMILTON’S unshaken soul,
And saw his arm our wayward host control;
Yet, while the Senate with his accents rung,
Fire in his eye, and thunder on his tongue,
My band of mutes in dumb confusion throng,
Convinc’d of right, yet obstinate in wrong,
With stupid reverence lift the guided hand,
And yield an empire to thy wild command.

Allegorically this referred to New York’s choice to name a delegation, as Alexander Hamilton championed. The Hartford Wits thus lauded Hamilton’s political speeches in verse more than two centuries before Lin-Manuel Miranda.

On 12 May, Connecticut finally voted to send William Samuel Johnson, Oliver Ellsworth, and Erastus Wolcott to Philadelphia. Wolcott declined, citing fear of smallpox, so four days later the legislature chose Roger Sherman instead. Their mandate was “for the Sole and express Purpose of revising the Articles of Confederation.”

The Hartford Wits saw that as a win, and the Anarchiad lines published on 24 May expressed Hesper’s hopes for a better future. But there were still dire warnings about what might happen if people didn’t support significant change:

Yet, what the hope? The dreams of Congress fade,
The federal UNION sinks in endless shade;
Each feeble call, that warns the realms around,
Seems the faint echo of a dying sound;
Each requisition wastes in fleeting air,
And not one State regards the powerless prayer.

Ye wanton States, by heaven’s best blessings curst,
Long on the lap of softening luxury nurst,
What fickle frenzy raves! what visions strange
Inspire your bosoms with the lust of change,
And flames the wish to fly from fancy’s ill,
And yield your freedom to a monarch’s will?

The Anarchiad’s last installment appeared in September 1787 as the Constitutional Convention was wrapping up. Because of the body’s secrecy, no one yet knew the scope of the changes it would recommend. Sherman and Ellsworth had proposed the critical “Connecticut Compromise,” and Hamilton maneuvered to make the final vote appear unanimous.

In November, the Connecticut government called a state convention to discuss whether to ratify the new and very different U.S Constitution. During that debate Amos Doolittle issued a year-end-review cartoon titled “The Looking Glass for 1787.” In one section it showed three Hartford Wits on a hill labeled “Parnassus” reading their “American Antiquities”—the supposed fragments of The Anarchiad. At least in Connecticut, they had been a prominent voice of the debate.